Basic Instinct: Director's Cut (Unrated) (1992) Review

Basic Instinct: Director's Cut (Unrated)  (1992)
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Basic Instinct is certainly a film that has not only aged well with time, it makes you wish they could still make a sexy erotic thriller this good today. With so much political correctness going on these days, a film like Basic Instinct would never be made quite the same way, had it been made today. Attacked while it was being filmed for it's quote "negative depictions of the Gay community" as well as a so called "date rape" scene, the film became controversial practically the day it became green lit.
Sharon Stone became an overnight sensation portraying the rich, seductive & powerful Catherine Tramell, a role that seemed tailor made for the actress. But in fact director Paul Verhoeven (Robocop, Starship Troopers) had to fight hard to prove to both Carolco Pictures and actor Michael Douglas that she was in fact the only person suited for the role. Having worked with Stone on his last picture, Total Recall (1990), Verhoeven knew that Stone had something special to give to the part and he finally got that message through to all those mentioned. I'd go so far to say that with the exception of her Oscar nominated performance in Martin Scorsese's Casino, Catherine Tramell is still Sharon Stone's best performance.
So what's the big deal between the R-rated & Unrated versions of Basic Instinct? Basically a little more violence and a little more sex. There's more stabs with the ice pick in the Unrated version (about 3 or 4), more shots of the victim actually being stabbed (courtesy of a man made puppet designed by Rob Bottin) and that's about it for the violence. The added sex has mainly to do with the first encounter between Michael Douglas's Nick Curran, and Sharon Stone's Catherine Tramell. The added scenes are hot & very well done, but overall, the result is still the same. The only other difference is the Unrated version includes an audio commentary with director Paul Verhoeven and director of photography Jan De Bont. This commentary is not available on the R-rated version. But both versions do include the 2nd commentary by Feminist critic, Camille Paglia, who praises the film as one of her all time favorite movies. Her commentary is quite informative and really gave me a lot of insight into the film that I never noticed before. Those of you who own the Special Edition Laserdisc that came out a few years back should be urged not to get rid of it. It's special features are quite different from those on these DVD versions. Even the Paul Verhoevan Commentary is different from the one on the DVD. Plus the DVD doesn't give you the option of viewing the final shot of the film with the alternate scoring conducted by Jerry Goldmith, although it is shown during the making of documentary. Still worth keeping.
I personally love how much the movie feels like an Alfred Hitchcock film. The dress Sharon wheres for the interrogation scene is very similar to the one Kim Novak wore in Vertigo. There are many references to Vertigo in the film, as well as The Birds, North By Northwest, Rear Window and a few others. This adds a lot of class to the picture that only enhances its creativeness. It may be a long time before another picture comes close to matching it.
Basic Instinct..destined to become a classic!
"I hate rugrats". - Sharon Stone as Catherine Tramell

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Dream On - Seasons 1 & 2 (1990) Review

Dream On - Seasons 1 and 2 (1990)
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Maybe it's true, that if you're just patient, the DVD gods will eventually get around to releasing a true buried gem like this one.
It's hard to imagine how a show like "Dream On" could stay under the radar for so long. It was created by David Crane and Marta Kaufman, the creative team behind "Friends." It was produced -- and many of it finest episodes directed -- by John Landis. It had a remarkable cast doing the best work of their respective careers, playing unforgettable characters, and it benefited from some of the best comedic writing on TV. It provided HBO with its first Emmy. And it paved the way for future HBO episodic comedy series, like The Larry Sanders Show, Sex in the City and Curb Your Enthusiasm.
But when it debuted on HBO in 1990, the concept of a pay-cable station qualifying for "appointment TV" was still in the future. TV critics loved it, but a lot of others remember it primarily because, taking advantage of the freedoms of pay cable, it used language not seen elsewhere on the tube. And it showed a little skin, although not nearly as much as people seem to remember.
"Dream On" follows the life of Martin Tupper, a book editor at a small Manhattan publishing house who's closer to 40 than he is to 30. He finds himself dumped into the dating scene of the '90s when his wife (a pre-"Just Shoot Me" Wendie Malick) divorces him to marry The World's Most Perfect Man. His son (Chris Demetral) is at an age where he's beginning to realize his father doesn't have all the answers. His best friend (Jeff Joseph in the first season, Dorien Wilson afterward) is a self-absorbed talk show host. And his grating secretary (a post-"SNL" Denny Dillon) has him on the verge of homicide.
"Dream On" came about because of Universal's desire to get some benefit from the library of early TV shows and B movies of its affiliate, MCA. It was founded on a gimmick: the "Dream On" concept is explained brilliantly without words, during the opening credits, as we see various stages in the life of young baby boomer, a member of the first generation to have TV as a babysitter. His sensibilities have been developed by what he's watched on the tube, and he finds himself relating to situations in his adult life by flashing on snippets of those old programs. The pairing of old clips and modern situations is usually done to good -- and often hilariious -- effect.
But no show would have lasted six seasons and 120 episodies on the strength of a gimmick. Over time, the "Dream On moments" melt into the general landscape. In the end, "Dream On" is less about sex in the city than it is about life at the end of the 20th Century, relationships and getting by with a little help from your friends and family. It tackles a lot of issues in ways that are not overbearing. And the cast creates characters that you'll end up caring about.
First and foremost of that group is Brian Benben as Martin Tupper. After seeing a few episodes, you'll wonder why you haven't seen more of him. Benben is a fine actor, and there is no better physical comedian working today.
This package of all 29 episodes from season 1 and 2 includes some classics, including the pilot, naturally; "Sole Sister," in which Martin has to come to terms with his sister dating his best friend, who is black; a three-episode relationship with an environmentalist, with whom Martin has nothing in common except in bed; "Play Melville for Me," in which Martin gets a late-night gig hosting a book show on public access cable, only to be stalked by Kathy Kinney ("Drew Carey's" Mimi); and "Calling the Kettle Black," in which Martin's "Just Say No" lectures to his son over marijuana use go up in smoke when his discovery of a joint in the apartment leads him to relive his own pot experiences. Early in the second season, Michael McKean joins the cast as the obnoxious Gibby Fiske, an Australian media executive who becomes Martin's boss and nemesis.
But the highlight of the package has to be the second-season opener, "The Second Greatest Story Ever Told," which follows Martin's agony as he visits the set of a film being produced about the life of his ex-wife's new husband, the impossibly perfect Richard Stone. Even worse, through getting involved with the actors in the movie, he finds himself reliving the end of his marriage. For this hour-long episode, director/producer Landis must have called in all his markers; the guest stars include Tom Berenger, Mimi Rogers and Stephen Furst, with David Bowie as the movie's pompous director and cameos by Sylvester Stallone, Ricardo Montalban and Eva Gabor.
This is the first release in any format for many of these episodes. Columbia included the show in its VHS subscription services a few years back, eventually releasing 40 episodes from the first three seasons, but no more. And, thankfully, these are the uncut versions, not the toned-down versions that were syndicated to Fox and Comedy Central.
For the uninitiated, even the Amazon discount price may appear to be more than they'd want to put down for an unknown quantity. But there's little risk here. By the time this is released in October, you may have had your fill of all the new sitcoms that look just like the old sitcoms, or the new reality shows loosely based on last year's reality shows, or the police dramas that are EXACATLY like last year's police dramas. Why not take the plunge with a well-written, well-acted comedy series that may finally get its due? I'll bet that after watching it, you'll be dreaming on of a third-season DVD release.

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Studio: Uni Dist Corp. (mca)Release Date: 10/12/2004

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Grand Canyon (1992) Review

Grand Canyon (1992)
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Ten years ago when GRAND CANYON was released many people snickered at a movie so overblown with making the world (read Los Angeles) seem so seemingly cruel and unjust. Some of us found the movie poignant and apocalyptic, but I think the press barred the public from taking the movie seriously. Well, here we are ten years laater watching this well crafted movie, surrounded by even more cosmic madness than ever before. A lot of contemporary prophecy films such as this need to be more widely viewed if we as a culture, as a world, are to survive. Living in this tenuous time where most fingers are on triggers, whether they be personal guns or national weapons, private or public disasters, or just on the thin strings that contain sanity - now more than ever we can benefit from films such as this. Caring, finding solace in acts of kindness shared at times of direst need, and yes, even putting it all in perspective by returning to the natural positive phenomena such as the Grand Canyon seems like our only reliable way of making it. This Kasdan film has more fine performances (Kevin Klein, Mary McDonnell, Alfre Woodward, Danny Golover, Jeremy Sisto, etc etc etc) and drives relentlessly to a final ending of such beauty that even ten years later we can only say "Thank you " to Kasdan and crew.

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When a lawyer's (Kevin Kline) car breaks down in a dangerous Los Angeles neighborhood, a tow-truck driver (Danny Glover) arrives just in time to save his life.The two men begin a deep friendship that sets off a chain of unsettling and surprising events involving their families and friends for years to come.Lawrence Kasdan's powerful, uplifting film about the harsh realities of contemporary urban life co-stars Steve Martin, Mary McDonnell, Mary-Louise Parker and Alfre Woodard.

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The Fast and The Furious (1955) Review

The Fast and The Furious   (1955)
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This film is nothing like the 2001 film of the same name and that's good. John Ireland does a great job being the criminal in this one and Dorothy Malone is good as the head smart woman in a man's world. While the film really does look like Roger Corman found a group of racers and decided to build a film around them, this is definitely not a bad film. It is defiantly a great little classic to watch.

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A man wrongly imprisoned for murder breaks out of jail. He wants to clear his name, but with the police pursuing him, he's forced to take a beautiful young woman, driving a fast sports car, hostage and slip into a cross-border sports car race to try to make it to Mexico before the police get him. Written by frankfob2@yahoo.com

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Man of a Thousand Faces (1957) Review

Man of a Thousand Faces (1957)
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Truly one of the greatest of all movie stars and a very underated actor this movie glows with Cagney's talent in his depiciton of the life of Lon Chayney. Unlike so many hollywood bios of the time this move tends to steer away from the usual sanitization of a character and instead confronts the darker side of Chaney, a man beset by torments. Poignant, powerful in it's day with the head on look at how deaf people were treated, and indeed with the tragic aspects of Chayney's first marriage. For me this movie stands the test of time exceptionally well, thanks in no small measure to the performances, notably the conflict between Chaney and his first wife wonderfully played by Dorothy Malone. This is one of the great ones!

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Academy Award winner James Cagney gives an unforgettable performance as Lon Chaney in this fascinating true story that follows the life of one of the most iconic and mysterious stars in Hollywood history!Known as the "Man of a Thousand Faces", silent film star Lon Chaney captured the imagination of the world through his incredibly expressive and transformative roles, such as Quasimodo in The Hunchback of Notre Dame and the Phantom from the original Phantom of the Opera.Behind the scenes, however, this long-suffering talented genius' life was filled with trials and tribulations that helped shape some of his most groundbreaking roles.The Academy Award nominated Man of a Thousand Faces captures the dramatic private life of a humble vaudeville clown who rose to become one of the biggest stars the world has ever seen!

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Written on the Wind (The Criterion Collection) (1956) Review

Written on the Wind (The Criterion Collection) (1956)
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Rock Hudson and Lauren Bacall star and Robert Stack and Dorothy Malone support in this quintessential 1950s Technicolor melodrama by the Master, imported German director Douglas Sirk. The plot involves a wealthy oil heir (Stack), the secretary (Bacall) loved by both him and his best friend (Hudson) and a bad-girl sister (Malone, in an Oscar-winning role). But neither the story nor the acting are really very good. What makes this film interesting to watch is the cinematography under Sirk's inspired direction, complete with twisted angles, and the symbolic use of color, mise-en-scene, and mirrors. Edward Platt, "Chief" from TV's "Get Smart" also appears as a doctor. The DVD extras are slight for a Criterion Collection, no featurette or commentary track. There is only a lengthy text discussion that allows you to scroll through descriptions and sometimes stills from all of Sirk's films. This text discussion is well-written and well-researched but will take you a long time to scroll through, and the often redundant images of production stills and lobby cards will make you frustrated. All in all, this DVD is worth watching, though I doubt you would want to view it over and over.

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Bathed in lurid Technicolor, melodrama maestro Douglas Sirk's Written on the Wind is the stylishly debauched tale of a Texas oil magnate brought down by the excesses of his spoiled offspring. Features an all-star quartet that includes Robert Stack as a pistol-packin' alcoholic playboy; Lauren Bacall as his long-suffering wife; Rock Hudson as his earthy best friend; and Dorothy Malone (who won a Best Supporting Actress Oscar© for her performance) as his nymphomaniac sister.

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Guardian: Complete Series Review

Guardian: Complete Series
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The Guardian was cancelled too soon. Thought provoking series - when did we last have one of those? A very intriguing DRAMA that explores the progression of a smart young corporate lawyer, Nick (Simon Baker), from heartless, cold corporate lawyer to that of a caring human being with a conscience. Nick loves money and replaces his emotional void with drugs until he is caught and sentenced to community service whose clientele are children. Excellent acting by the entire cast; the child actors are amazing. This series is not a feel good drama - the story lines are very realistic and common sense is second fiddle to the savagery of current laws. All of the characters are flawed and one watches how each struggles to live within their skins; some flounder - some rise to the top. What is right versus what is legal is explored throughout the series. I bring these DVDs to evening "dinner and a movie" gatherings of friends; I usually end up leaving them as friends want to watch more of this excellent series. Each episode can stand on its own but it is better to watch the serie's episodes in their order to watch the development of the characters and the storyline thread.

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Stepmom (1998) Review

Stepmom (1998)
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I always have and always will consider this a very meaningful and worthwhile movie. Julia Roberts and Susan Sarandon were outstanding choices for the lead roles because they truly knew how to fit the types of characters they were playing. Susan Sarandon is Jackie Harrison, a highly devoted mother who is an outstanding example of a woman who loves and places her children above herself. Her ex-husband Luke (Ed Harris) finds a new love, Isabel (Julia Roberts). The whole situation is difficult for Jackie and both of her young children, especially her 12-year-old daughter Anna, who resents Isabel. When Susan is diagnosed with fatal cancer, it becomes absolutely necessary for the two kids to learn to accept Isabel. Many, many hardships and challenges rise between Susan and Isabel before they are finally able to put aside their differences, become friends, and figure out how to handle the future of their family--a future that they can no longer deny. I especially liked this movie because it deals with such serious and complex issues that many of us can at least appreciate if we have not experienced it ourselves. You really feel the tone of the issue through Anna, Susan's oldest child. She is such a horrible brat, you want to kick her, but then you soften when you realize that she is just scared and upset because she loves both of her parents, and it is hard for her to get through all of the changes. Any of us can understand or even relate to that. Although I enjoyed most aspects of this movie, I really loved the way Susan taught her children not to be afraid of her death, especially her very young son. There's no greater way to show your love for your child than by putting on a brave face during the scariest moment of your life in order to spare them the fear that you feel yourself. It truly is touching the way Susan loves her kids so selflessly in this movie. It's very deep, very moving, and worth the money to buy. I hope this review was helpful.

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Touched by An Angel: A Salute to Heroes (1994) Review

Touched by An Angel: A Salute to Heroes  (1994)
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I think that the episode of Touched by an angel, Black Like Monica is a really good episode and is great that they put it on viedo. It helps us understand that even though there is no more slavery in the USA there are still people out there who are for some reason angry at colored people. I don't know why but they are. We can stand up against people like that and this show shows us how to do that without violence.I think there is a lot to be learned from it and that everyone should see it!

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The Big Sleep (1946) Review

The Big Sleep (1946)
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THE BIG SLEEP has a reputation for being a film that gets lost in its own complexity and which fails to clearly identify all the perpetrators of all the murders that litter its scenes. There is a certain truth to this: like the Raymond Chandler novel on which it is based, the plot is extremely complicated, and it requires the viewer to mentally track an unexpected number of characters--including two characters that never appear on screen, a pivotal character who doesn't actually have any lines, and a character who is frequently mentioned but doesn't appear until near the film's conclusion. There is not, however, as much truth to the accusation that the film never exposes all the killers: only one killer is not specifically identified, but even so his identity is very clearly implied.
All this having been said, THE BIG SLEEP is one helluva movie. In general, the story concerns the wealthy Sternwood family, which consists of an aging father and two "pretty and pretty wild" daughters--one of whom, Carmen, is being victimized by a blackmailer. P.I. Philip Marlowe is hired to get rid of the blackmailer, but an unexpected murder complicates matters... and touches off a series of killings by a number of parties who have covert interests in the Sternwood family. Perhaps the most amazing thing about the film is that you don't actually have to pick apart the complicated story in order to enjoy it. The script is famous for its witty lines and sleek sexual innuendo--much of it lifted directly from Chandler's novel--and the cast is a dream come true. Philip Marlowe would be played by a great many actors, but none of them ever bested Humphrey Bogart, who splendidly captures the feel of Chandler's original creation; with the role of Vivien Sternwood Lauren Bacall gives what might be the finest performance of her screen career; and the chemistry between the two is everything you've ever heard. The supporting cast is superlative, all the way from Martha Vickers' neurotic turn as Carmen Sternwood to Bob Steele's purring hitman Canino. There's simply not a false note to be found anywhere. Although the film really pre-dates the film noir movement the entire look of THE BIG SLEEP anticipates noir to a remarkable degree--it would be tremendously influential--and director Hawks gives everything a sharp edge from start to finish.
Two versions of THE BIG SLEEP are included on the DVD: the film as it was originally shot and the film as it was released to theatres in 1946. The actual differences between the two are fairly slight, but they prove significant. Although the original version is somewhat easier to follow in terms of story, it lacks the flash that makes the theatrical version such a memorable experience; it is easy to see why Hawks elected to rescript and reshoot several key scenes as well as add new ones, and both newcomers and old fans will have fun comparing the two. The DVD also includes an enjoyable documentary on the differences between the films and the motivations behind them. I don't usually comment on picture quality unless there is a glaring issue, but several reviewers have noted portions of this print have a flicker or seem a bit washed out. I noticed these problems, but I can't say that they in any way distracted from my enjoyment of the film, and they certainly don't prevent me from recommending it--be it on video or this DVD. And I recommend it very, very strongly indeed.

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L.A. private eye Phillip Marlowe takes on a blackmail case...and a trail peopled with murderers, porographers, nightclub rogues, the spoiled rich and more. Humphrey Boart plays Raymond Chandlers' legendary gumshoe and director Howard Hawkes serves up snappy character encounters (particularly involving Lauren Bacall), brisk pace and atmosphere galore in the certified classic.

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The Fast and the Furious (1955) Review

The Fast and the Furious (1955)
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This film is nothing like the 2001 film of the same name and that's good. John Ireland does a great job being the criminal in this one and Dorothy Malone is good as the head smart woman in a man's world. While the film really does look like Roger Corman found a group of racers and decided to build a film around them, this is definitely not a bad film. It is defiantly a great little classic to watch.

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Contact / Sphere (1997) Review

Contact / Sphere (1997)
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A surprisingly good film based on the SETI project, with a great question at the end!!
I did not find Sphere to be as interesting as Contact.

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The Ballad of Jack and Rose (2005) Review

The Ballad of Jack and Rose (2005)
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Those familiar with Rebecca Miller's previous film Personal Velocity, an insightful triptych of three very different young women, will know that she's a director who's on the cutting edge of American independent filmmaking. But with her latest venture The Ballad of Jack and Rose; she seems to have really outdone herself. This astonishingly beautiful and perceptive tale presents, with an astounding veracity, themes of familiaral love, the loss of innocence, and the ultimate costs of idealism in a world where such ideals are no longer relevant or not even particularly welcome.
Boasting some of the best performances of the year, The Ballad of Jack and Rose opens with Jack (a fantastic Daniel Day Lewis) and 16-year-old Rose (Camilla Belle) sharing a tender and intimate embrace while lying on a Garden of Eden-like bed of grass. As they stare up at the wild blue yonder, one gets the sense that they're a complete, contained, and totally contented couple. It's not immediately clear how they are related to each other, but we soon learn that they are a chaste father and daughter. However, the ambiguity of their severely intense relationship quickly becomes unsettling.
It's 1986 and Jack and Rose are living on a remote East Coast island, the only holdovers from a utopian cooperative. Their world is self-sufficient, autonomous, and claustrophobic. They spend their days living off the land, and hiding out in a wooden, rambling shack that is nestled upon a windswept hilltop and over-grown with grass and wildflowers. Jack is originally Scottish, an old hippie, who came to America in the mid-60's carrying with him the hopes and dreams for a country that he thought America would become. An engineer by profession, over the years he has instilled in Rose a fierce intelligence, but also a wariness and distrust of the outside world.
Jack is dying of a bad heart, and he's angry about the world he cannot put in order; he also feels helpless about the beloved daughter who will soon be parentless. Rose feels as though she can't live without him, so when she tells him" When you die, I'm going to die" you know that she means it. Their problems are compounded when a slick land developer (Beau Bridges), who has begun building a lavish, modern subdivision, deliberately endangers the wetlands flanking the edge of Jack's property.
In an effort to get some domestic help and also to introduce Rose to the wider world, Jack invites Kathleen (Catherine Keener), his casual girlfriend from the mainland, and her two sons Thaddius and Rodney (Ryan McDonald and Paul Dano) to move in and assist with the household. But Rose, having been sheltered from influences other than her father, is not pleased to share her world with anyone new.
Rose is gradually becoming a woman, and she doesn't know how to be appropriate around new people. She's particularly upset that Kathleen is sharing her father's bed and dividing his attention. In an effort to get back at her father, she begins to solicit the attentions of Kathleen's boys, and sets in motion a series of events that forces Jack to confront the disorder and disappointment of his life.
Daniel Day Lewis brings total emotional heft to this role, vividly bringing to life the character's whole host of contradictions; it really is a tour-de-force of acting. His portrayal of a disappointed, bitter, but highly intelligent counter-culture type is fiercely earnest and totally empowering. Jack is a man of principle who is caught between his old world beliefs and a world that has long ago left him behind.
Jack is the epitome of a control freak who realizes, too late, that the depth of his devotion may well have poisoned his daughter. Camilla Belle brings to Rose a ferocious sense of the competitive; she's possessive, and potent, a seemingly innocent yet very willful seductress. She lashes out at her father and at Kathleen in a sequence of chaos-inducing maneuvers that can only bring heartbreak to the small collective.
The Ballad of Jack and Rose is a marvelously shaded mood piece that is probably more about issues and characters than it is about story. Miller has a languid, floaty, and wondering directorial style that lends itself well to this type of subject. Rhythmic and dreamy, both Day-Lewis and Belle respond to it all as if gasping in harmony. The film works on numerous levels - it's a statement about environmentalism, it's also a homage to a bygone world, but its mostly an intensely engaging and satisfying drama about a man who has been sidelined by the realities of life, and who could never live up to the ideas inside his head. Mike Leonard April 05.


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Oscar(r) winner* Daniel Day-Lewis (Gangs of New York) is "a joy to watch" (Newsday) as a defiant idealist in this "moving, often hilariouscoming-of-age story" (Vogue) from writer-director Rebecca Miller (Personal Velocity). Catherine Keener (Being John Malkovich), Camilla Belle (Practical Magic), Beau Bridges (The Fabulous Baker Boys), Jason Lee (Almost Famous) and Jena Malone (Saved!) co-star. Jack (Day-Lewis) and his 16-year-old daughter Rose (Belle) live in relative isolation on a beautiful island off the East Coast. When he invites his mainland girlfriend (Keener) and her two teenage sons to come live with them, it is Rose's first exposure to society - and sexuality. As worlds collide, the consequences will threaten not only Jack and Rose's way of life but also their unusually close bond. *1989: Actor, My Left Foot.

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Young at Heart (1954) Review

Young at Heart (1954)
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If you are expecting a DVD that is a big improvement on the video, this will disappoint. But if you absolutely love the film, the DVD is still worth getting. Now, the film itself shows what a terrific chemistry Doris Day and Frank Sinatra had together, and makes one wish they had done more films together, and certainly sang more duets. Doris is superb and Frank deserved an Oscar for his portayal of Barney Sloane, as hip and deep a job of acting as anything James Dean ever did and Dean had made his first film this same year (1954). Sinatra was (and is) so underrated as an actor in the 1950's. Someone put it well, there is no Frank Sinatra in this film, only Barney Sloane.
This movie leaves you wanting more MORE of Day and Sinatra together - that is my only criticism of it! A wonderful film.

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YOUNG AT HEART - DVD Movie

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Frankie & Annette MGM Movie Legends Collection (Beach Blanket Bingo / How to Stuff a Wild Bikini / Beach Party / Bikini Beach / Fireball 500 / Thunder Alley / Muscle Beach Party / Ski Party) (1964) Review

Frankie and Annette MGM Movie Legends Collection (Beach Blanket Bingo / How to Stuff a Wild Bikini / Beach Party / Bikini Beach / Fireball 500 / Thunder Alley / Muscle Beach Party / Ski Party) (1964)
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Frankie & Annette MGM Movie Legends Collection (Beach Blanket Bingo / How to Stuff a Wild Bikini / Beach Party / Bikini Beach / Fireball 500 / Thunder Alley / Muscle Beach Party / Ski Party)
I am a disabled man in his 60s but for a couple of hours, while watching these films, I am young again in the 60s. Once again I feel the excitement I felt and for a few minutes dreamed the dreams I had back then. I would give anything if a time warp suddenly transported m back to those carefree days.

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Disc 1 Side A: Beach Blanket Bingo Disc 1 Side B: How To Stuff a Wild BikiniDisc 2 Side A: Beach Party Disc 2 Side B: Bikini BeachDisc 3 Side A: Fireball 500 Disc 3 Side B: Thunder AlleyDisc 4 Side A: Muscle Beach Party Disc 4 Side B: Ski Party

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Rage and Honor (1993) Review

Rage and Honor (1993)
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Richard Norton and Cynthia Rothrock co-starred in movies before
"Rage and Honor", such as Samo Hung's "Millionaire's Express",
but "Rage" established the charismatic pair as the Bogie and Bacall of martial arts movies. The chemistry of the two leads is
undeniable in this swiftly entertaining actioner about an Australian (Norton) set up falsely for a murder charge in L.A.
Norton's pursuit for exoneration pairs him with Rothrock in a battle against their criminal couterparts, played by Catherine Bach and Brian Thompson. Eccentric characters from the L.A. underground assist the leads in their mission, and the movie shrewdly punctuates the action-charged pace with light moments.
An actor of integrity, Norton delivers a performance with integrity as the unfairly accused Aussie. Thanks to the appeal
of both stars, "Rage and Honor" remains a rarely equaled martial
arts movie, even ten years after its initial release.

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After the Sunset (Widescreen New Line Platinum Series) (2004) Review

After the Sunset (Widescreen New Line Platinum Series) (2004)
Average Reviews:

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I must confess to not being a fan of Woody Harrelson, Don Cheadle or Selma Hayek, so you know off the bat who I went to see in this film -- Pierce Brosnan.
However, but the time this film was halfway through, I became a BIG fan of those three actors. Very rarely do you get the sense that the actors had fun making a film, but the chemistry and joy that comes off the screen in After the Sunset makes it very hard to miss. This is a great popcorn flick, and clearly the actors had a great time making it. How could they not, they were in paradise.
Speaking of -- the cinematography in this film is costly. Costly because after seeing ATS you will want to stay at the Atlantis resort, and I am guessing it is costly.
Costly too is Max Burdett's (Brosnan) tastes but he can afford it with his skill in thievery. Equally skilled in law enforcement is Stan Lloyd (Harrelson), who is banking his career on finding Burdett as he tries to steal the third Napolean diamond. Who ultimately succeeds in this film is something you have to pay to find out, but trust me, like Catch a Thief there is a twist at the end.
Selma Hayek is GORGEOUS in this film and equally believable as a thief and as a lover. Don Cheadle's role is only a touch longer than a cameo, but when he makes his appearances, he can not be missed.
One of the big surprise highlights of this film is the chemistry between Rachael Harris and Obba Babatundé. Equally fun is the banter between unlikely gal palls Hayek and Harris.
Another surprise is the deft hand Brett Ratner had at giving the film goers just as small taste of social commentary. You do see both sides of Paradise, and a careful viewer will take note of the stark differences between the two.
Being a Brosnan fan, I went into this film expecting to enjoy it a lot, but there was no way I could anticpate the many different ways I would. After the Sunset is a film where you mind spending the money on the tickets and the popcorn.
Oh and that noise you're hearing? That's the folks at Eon Productions banging their heads against the wall because they let their billion dollar Bond get away.

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Pierce Brosnan plays a master thief who, after an incredibly successful heist, moves to the Bahamas with his beautiful partner in crime. But the cat and mouse games begins again when an FBI agent, his old nemesis, returns convinced he is going for the biggest score of all, the famous Napoleon diamond. DVD Features:DVD ROM Features:Content- Script to ScreenDocumentaries:"Before, During and After the Sunset" & "Interview with a Jewel Thief"Gag Reel:Blooper ReelMusic Video: Other:Deleted/Alternate Scenes


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