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(More customer reviews)Say what you want about producer/director William Castle (The Tingler, 13 Ghosts, Mr. Sardonicus) but one thing was for sure...he knew how to fill seats in a movie theater, primarily by forcing some sort of direct interaction between the audience and the film (at least in his horror themed features). In House on Haunted Hill (1959), he utilized a technique he called `Emergo', which essentially featured a skeleton, suspended from wires, coming from the screen towards the audience during a specific part of the movie, the intent being to scare the pants off those in the theater. From what I've heard, it didn't sound like many were frightened, but it didn't really matter as Castle was a master at selling the sizzle, rather than the steak, as they say, and audiences flocked to his films...produced and directed by William Castle, the film features the merchant of menace himself Vincent Price (The Fly, The Tingler, House of Usher) in the first of two films he made with Castle. Also appearing is Elisha Cook Jr. (Shane, The Haunted Palace), Carolyn Craig (Giant), Richard Long (Ma and Pa Kettle), Carol `homina homina' Ohmart (Spider Baby), Alan Marshal (The Hunchback of Notre Dame), and Julie Mitchum (Edge of Hell), sister of actor Robert Mitchum.
Price plays Frederick Loren, an eccentric millionaire who, along with his wife Annabelle (Ohmart), has thrown together an interesting little party involving five, seemingly random strangers gathering at a haunted house with ten thousand dollars to each who dare stay through the night. In attendance, along with Frederick and his wife, is Watson Pritchard (Cook), whose brother, one of the previous owners, was murdered within the house, Lance Schroeder (Long), a test pilot, Dr. David Trent (Marshal), a psychiatrist, Nora Manning (Craig), a typist, and Ruth Bridgers (Mitchum), a newspaper columnist. Seems all have agreed to play Frederick's little game for one reason, they need the dough, and if some crazy rich dude is willing to part with his green for such a seemingly easy task, what the hay, right? Well, the guests arrive, introductions are made, and Frederick gives them the full lowdown. The secluded house is like a fortress (steel doors and bars on the windows) in that once they're locked in (at midnight, to be precise), there's no getting out until the caretakers arrive the next morning. Also, there's no electricity or telephones, and the nearest neighbors are well beyond yelling distance. After a tour of the house, highlighting where various grisly events occurred (including a visit to the acid vat in the cellar...man, this place has everything), a few drinks, and some scares (the ghosts seem to have a thing for Nora), Fredrick passes out some party favors in the form of loaded handguns (nothing like being drunk and armed), not that they'd do anyone much good if there are ghosts out and about...anyway, midnight is coming so if anyone wants to cut out of this ghoulish get together, they'd better get while the getting's good...
While not my favorite Castle feature (that goes to The Tingler), House on Haunted Hill is still a hoot and a half for all of its campy, good-natured fun. The one thing this film has going for it, above and beyond everything else, is Vincent Price. No matter how rotten the feature was (which wasn't the case here), Price always brought with him a real sense of class and sophistication to the proceedings, especially true of the number of Poe based films he and Roger Corman made throughout the 1960s for American International Pictures. The absolute best parts of this movie for me occur early on as Price's character is interacting with his wife, and we see the pair have an interesting hate/hate relationship...here's an example of their often snide and insinuating banter they engage in behind closed doors...
Fredrick: Of all my wives you're least agreeable...
Annabelle: But still alive.
Here's another bit...
Frederick: Do you remember the fun we had when you poisoned me?
Annabelle: Something you ate, the doctor said.
Frederick: Yes, arsenic on the rocks...
There are a few more excellent exchanges between Price and Ohmart, worthy alone of seeing this film. As for the rest of the performers, I had no real complaints. Elisha Cook Jr.'s character did get on my nerves after awhile, with his constant dour outlook punctuated by his persistent `doom and gloom' predictions. Drink some more booze, you rummy...seriously, all this guy did was talk about how the ghosts were going to come and take them all away. Perhaps this attitude was assisted by his excessive alcohol intake, but really, what's the point of accepting an invitation to spend a night at a house you believe you won't come out of alive? The money? Won't do you much good if'n you're dead, fool. If I was in that house I probably would have shot him just to be rid of him. At least I learned one thing...never invite Elisha Cook Jr. to your party and ply him with lots of booze as he'll turn into a real poison pill. I did like Ms. Ohmart, and not just because she was a smoking babe with a large rack, but because she held her own with Price, even if it was for just a handful of scenes. If you've got a hankering to see more of her, and you like ookie horror features, you should really check out another film she appeared in called Spider Baby (1968), featuring Lon Chaney Jr. There are a few, minor scares scattered throughout the film (a crusty crone, a disembodied head or two), but nothing that will make you soil yourself...some scenes will make you snicker, though, like the one where Pritchard chucks a dead rat into the acid vat, if only to demonstrate the acid is really acid. After some bubbling effects, a fully articulated rat skeleton bobs to the surface, indicating to those watching it truly is the real deal. Yes sir, that be some powerful acid...the movie may not be much for scares, but it does have plenty of atmosphere created by Castle's direction, groovy, cobweb laden set pieces, spooky music, and usage of the Ennis Brown House in Los Angeles, designed by Frank Lloyd Wright, for the exterior shots.
It seems this film has fallen into the public domain (i.e. the copyright expired), as I see there are a number of DVD releases by various companies. I can't speak for those other releases, but the one I own, put out by Warner Brothers (it has a large headshot of Price in the lower right hand corner and Ohmart in a nightgown being menaced by a disfigured hand in the upper left), looks exceptionally good, and features both the fullscreen and widescreen formats, along with a excellent Dolby Digital mono audio track. The only extras included are a theatrical trailer for the film and subtitles in both English and French.
Cookieman108
By the way, this movie saw a remake of the same titled, released in 1999, oozing with high tech special effects. It was decent enough, but I still liked the original better.
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Studio: Warner Home VideoRelease Date: 08/22/2006Run time: 168 minutesRating: Nr
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