Showing posts with label classic horror. Show all posts
Showing posts with label classic horror. Show all posts

Offspring (1987) Review

Offspring  (1987)
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The 80s saw a mini-resurgence of the horror anthology film format popularized in the 60s and 70s, primarily by a studio out of England called Amicus (affectionately known as `The Studio That Dripped Blood'). This new crop included The Monster Club (1980), Creepshow (1982), and this little, late entry nugget titled From a Whisper to a Scream (1987) aka The Offspring, to name a few...co-written and directed by Jeff `Mr. Sequel' Burr (Stepfather II, Leatherface: Texas Chainsaw Massacre III, Puppet Master 4), the film includes some notable performers like Vincent Price (The Abominable Dr. Phibes, The Monster Club), Clu Gulager (The Return of the Living Dead, Nightmare On Elm Street Part 2: Freddy's Revenge), Rosalind Cash (Tales from the Hood), and Susan Tyrrell (Big Top Pee-wee, Cry-Baby). Also appearing is Terry `Bernie' Kiser (Weekend at Bernie's, Mannequin: On the Move), Harry `Grandville' Caesar (The Longest Yard), Cameron Mitchell (The Toolbox Murders, The Swarm), Ron Brooks (Leatherface: Texas Chainsaw Massacre III), Miriam Byrd-Nethery (Stepfather II), and Martine Beswick (Thunderball, One Million Years B.C., Dr. Jekyll and Sister Hyde) in a small, but memorable part.
The movie is comprised of four tales of grotesque ghoulishness, tied together with a fifth, or wraparound story, featuring Price as a librarian/historian of the little southern town of Oldfield, Tennessee (Tenneseeing is believing!). Seems the town, which has a dark and troubled past, draws upon people to do nasty things...the first tale proper features an almost unrecognizable Gulager as Stanley Burnside, a mild, mousy man with about the thickest pair of glasses I've ever seen. Anyway, Stanley's got the hots for a babe he works with, but she seems hardly interested (not surprising as Stanley's got an creepy `albino' vibe going on). Stanley finally manages to wrangle a date, but things go from bad to worse (worse being murder) as an obviously repressed Stan loses his cool (I'm thinking he probably should have tossed one off prior to the date). Things get particularly weird as Stan wants a second date, even if he has to break into the funeral home to do so...the second story, set about thirty years earlier than the first, features Kiser as Jesse Hardwicke, a two-bit hood who, after being betrayed by his girlfriend, is shot, left for dead, and found by a resident of the swamp played by Caesar. Turns out the old man practices some kind of voodoo, and has a valuable secret which Jesse, being the greedy, ungrateful, rat slimeball he is, will stop at nothing to acquire. The third story, set in the 30s, features Rosalind Cash as a cruel and sadistic owner of a traveling carnival show that stops in Oldfield. Seems most everyone who works for her has done something bad in their past, and now she provides them protection, asking only one thing in return...complete and utter devotion. Did I mention she's a witchy woman? The trouble begins as one of her `performers' tries to break free of her grasp. The fourth and final story is set near the end of the civil war, and features Cameron Mitchell as an a-hole leader of a small group of Union soldiers separated from their unit. Learning that the war has actually ended, the group decides to sack and pillage some towns, Oldfield being first on the list. They get waylaid though, by a band of local orphans who've got plans of their own.
I liked the overall structure of the film, in that the intent being to show how the town was build on a history of violence, starting from the present and working back in reverse, chronological order. As far as the individual stories, they were hit and miss. The first was okay (Gulager especially good), but lacked the strong twist I was hoping for...it could have delivered a more powerful punch had the director not telegraphed the ending with text displayed on the screen (if you've seen the film, you probably know what I mean). The second tale, however, did have a most excellent twist, and turned out to be the best of the bunch, in my opinion. It kept things simple, which is probably why it worked better than the others. This one actually reminded me a lot of the stories from the old EC comics like Tales of the Crypt, or The Vault of Horror. The third story, the one about the traveling carnival, was my least favorite, as it had no real twist, was an anemic tale, and contained a whole lot of really bad acting, especially by Ms. Cash, who proved she could chew up the scenery as well as anyone. The other thing it had a whole lot of was blood in a spectacularly pointless sequence. I liked the fourth story about as much as I liked the third, which is to say not a whole lot. It was interesting, and showed some promise, but eventually petered out, especially in terms of the expected twist ending. And then there's the wrap around story...Vincent Price, looking pretty aged here, adds a lot to anything he's in, as he was an actor with incredible screen presence, along with being a consummate professional...too bad he wasn't utilized better than he was here. I did like the notion of who his character was and how he presented the stories, but again, there was something lacking, and I grew tired of his character continually harping on the evil inherent in the town (yeah, we got the point by now). The wraparound pieces in these horror anthologies general tend to be weak, but this one is especially flaccid. Overall the direction throughout is solid, but the writing was lacking in general, producing one, really good tale, one so-so, and two not so hot. I do enjoy a good horror anthology, and while I felt the effort was here, I have seen better...
The picture is presented in both fullscreen and anamorphic widescreen (1.85:1) on this DVD. The picture quality is decent, but I did notice some slight `graininess' resulting in a lack of overall sharpness. It's not terrible, but I think it could have been cleaned up a little. The Dolby Digital mono audio comes through well enough. The only extra feature is a poor looking theatrical trailer for the film, which really is much of a feature, but oh well...
Cookieman108
If you enjoy horror anthologies like this, I'd recommend checking out some other films like Dr. Terror's House of Horrors (1965), Torture Garden (1967)*, The House That Dripped Blood (1970)*, Tales from the Crypt (1972), Asylum (1972)*, From Beyond the Grave (1973), and The Vault of Horror (1973). Not all are available on DVD at this time, but should be...
*denotes film is available on DVD in the states, as I write this (Torture Garden was just recently released).


Click Here to see more reviews about: Offspring (1987)

Item Name: From a Whisper to a Scream; Studio:MGM (Video & DVD)

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House on Haunted Hill (1999) Review

House on Haunted Hill (1999)
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Say what you want about producer/director William Castle (The Tingler, 13 Ghosts, Mr. Sardonicus) but one thing was for sure...he knew how to fill seats in a movie theater, primarily by forcing some sort of direct interaction between the audience and the film (at least in his horror themed features). In House on Haunted Hill (1959), he utilized a technique he called `Emergo', which essentially featured a skeleton, suspended from wires, coming from the screen towards the audience during a specific part of the movie, the intent being to scare the pants off those in the theater. From what I've heard, it didn't sound like many were frightened, but it didn't really matter as Castle was a master at selling the sizzle, rather than the steak, as they say, and audiences flocked to his films...produced and directed by William Castle, the film features the merchant of menace himself Vincent Price (The Fly, The Tingler, House of Usher) in the first of two films he made with Castle. Also appearing is Elisha Cook Jr. (Shane, The Haunted Palace), Carolyn Craig (Giant), Richard Long (Ma and Pa Kettle), Carol `homina homina' Ohmart (Spider Baby), Alan Marshal (The Hunchback of Notre Dame), and Julie Mitchum (Edge of Hell), sister of actor Robert Mitchum.
Price plays Frederick Loren, an eccentric millionaire who, along with his wife Annabelle (Ohmart), has thrown together an interesting little party involving five, seemingly random strangers gathering at a haunted house with ten thousand dollars to each who dare stay through the night. In attendance, along with Frederick and his wife, is Watson Pritchard (Cook), whose brother, one of the previous owners, was murdered within the house, Lance Schroeder (Long), a test pilot, Dr. David Trent (Marshal), a psychiatrist, Nora Manning (Craig), a typist, and Ruth Bridgers (Mitchum), a newspaper columnist. Seems all have agreed to play Frederick's little game for one reason, they need the dough, and if some crazy rich dude is willing to part with his green for such a seemingly easy task, what the hay, right? Well, the guests arrive, introductions are made, and Frederick gives them the full lowdown. The secluded house is like a fortress (steel doors and bars on the windows) in that once they're locked in (at midnight, to be precise), there's no getting out until the caretakers arrive the next morning. Also, there's no electricity or telephones, and the nearest neighbors are well beyond yelling distance. After a tour of the house, highlighting where various grisly events occurred (including a visit to the acid vat in the cellar...man, this place has everything), a few drinks, and some scares (the ghosts seem to have a thing for Nora), Fredrick passes out some party favors in the form of loaded handguns (nothing like being drunk and armed), not that they'd do anyone much good if there are ghosts out and about...anyway, midnight is coming so if anyone wants to cut out of this ghoulish get together, they'd better get while the getting's good...
While not my favorite Castle feature (that goes to The Tingler), House on Haunted Hill is still a hoot and a half for all of its campy, good-natured fun. The one thing this film has going for it, above and beyond everything else, is Vincent Price. No matter how rotten the feature was (which wasn't the case here), Price always brought with him a real sense of class and sophistication to the proceedings, especially true of the number of Poe based films he and Roger Corman made throughout the 1960s for American International Pictures. The absolute best parts of this movie for me occur early on as Price's character is interacting with his wife, and we see the pair have an interesting hate/hate relationship...here's an example of their often snide and insinuating banter they engage in behind closed doors...
Fredrick: Of all my wives you're least agreeable...
Annabelle: But still alive.
Here's another bit...
Frederick: Do you remember the fun we had when you poisoned me?
Annabelle: Something you ate, the doctor said.
Frederick: Yes, arsenic on the rocks...
There are a few more excellent exchanges between Price and Ohmart, worthy alone of seeing this film. As for the rest of the performers, I had no real complaints. Elisha Cook Jr.'s character did get on my nerves after awhile, with his constant dour outlook punctuated by his persistent `doom and gloom' predictions. Drink some more booze, you rummy...seriously, all this guy did was talk about how the ghosts were going to come and take them all away. Perhaps this attitude was assisted by his excessive alcohol intake, but really, what's the point of accepting an invitation to spend a night at a house you believe you won't come out of alive? The money? Won't do you much good if'n you're dead, fool. If I was in that house I probably would have shot him just to be rid of him. At least I learned one thing...never invite Elisha Cook Jr. to your party and ply him with lots of booze as he'll turn into a real poison pill. I did like Ms. Ohmart, and not just because she was a smoking babe with a large rack, but because she held her own with Price, even if it was for just a handful of scenes. If you've got a hankering to see more of her, and you like ookie horror features, you should really check out another film she appeared in called Spider Baby (1968), featuring Lon Chaney Jr. There are a few, minor scares scattered throughout the film (a crusty crone, a disembodied head or two), but nothing that will make you soil yourself...some scenes will make you snicker, though, like the one where Pritchard chucks a dead rat into the acid vat, if only to demonstrate the acid is really acid. After some bubbling effects, a fully articulated rat skeleton bobs to the surface, indicating to those watching it truly is the real deal. Yes sir, that be some powerful acid...the movie may not be much for scares, but it does have plenty of atmosphere created by Castle's direction, groovy, cobweb laden set pieces, spooky music, and usage of the Ennis Brown House in Los Angeles, designed by Frank Lloyd Wright, for the exterior shots.
It seems this film has fallen into the public domain (i.e. the copyright expired), as I see there are a number of DVD releases by various companies. I can't speak for those other releases, but the one I own, put out by Warner Brothers (it has a large headshot of Price in the lower right hand corner and Ohmart in a nightgown being menaced by a disfigured hand in the upper left), looks exceptionally good, and features both the fullscreen and widescreen formats, along with a excellent Dolby Digital mono audio track. The only extras included are a theatrical trailer for the film and subtitles in both English and French.
Cookieman108
By the way, this movie saw a remake of the same titled, released in 1999, oozing with high tech special effects. It was decent enough, but I still liked the original better.


Click Here to see more reviews about: House on Haunted Hill (1999)

Studio: Warner Home VideoRelease Date: 08/22/2006Run time: 168 minutesRating: Nr

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