Showing posts with label cult classic. Show all posts
Showing posts with label cult classic. Show all posts

The Blues Brothers (1980) Review

The Blues Brothers (1980)
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What a let down! The promise of "never before seen footage" turns out to be the same "never before seen footage" from the last DVD. The bonus materials on this disc are a joke (and not in a funny "ha ha" way). The special "Introduction to the film by Dan Aykroyd" is 23 seconds long. The "Day on the Blues Brothers Tour" is nothing more than a lame performance by the current Blues Brothers at the House of Blues. But the real insult is the featurette called "Remembering John: An ultimate portrait of John Belushi." It clocks in at 9 minutes long (including credits). Ultimate?? This is John Belushi, not Garrett Morris!
You might be reading this wondering, "So what was this guy expecting?" Well, how about an audio commentary? Perhaps some outtakes? Bloopers? Maybe concert footage of the REAL Blues Brothers on tour with Steve Martin? Why not include Blues Brothers performance footage from SNL? How about revisiting the locations made famous in the movie (the abandoned mall is still standing and still abandoned)? Instead, they chose to include John performing as the Killer Bee on SNL. Instead of a track listing booklet inside the case, they'd rather you have an ad for other "great" DVD titles available from Universal. Instead of never before seen footage, you get the same documentary, the same production notes/pictures, and the same interviews that were included in the previous release.
It's obvious that this was thrown together with little thought or effort. The Chicago Sun Times did a better tribute piece to the anniversary of the Blues Brothers than Aykroyd did for his own film.
Oh well...only five more years until the 30th Anniversary Edition comes out.

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The Blues Brothers (1980) Review

The Blues Brothers  (1980)
Average Reviews:

(More customer reviews)
What a let down! The promise of "never before seen footage" turns out to be the same "never before seen footage" from the last DVD. The bonus materials on this disc are a joke (and not in a funny "ha ha" way). The special "Introduction to the film by Dan Aykroyd" is 23 seconds long. The "Day on the Blues Brothers Tour" is nothing more than a lame performance by the current Blues Brothers at the House of Blues. But the real insult is the featurette called "Remembering John: An ultimate portrait of John Belushi." It clocks in at 9 minutes long (including credits). Ultimate?? This is John Belushi, not Garrett Morris!
You might be reading this wondering, "So what was this guy expecting?" Well, how about an audio commentary? Perhaps some outtakes? Bloopers? Maybe concert footage of the REAL Blues Brothers on tour with Steve Martin? Why not include Blues Brothers performance footage from SNL? How about revisiting the locations made famous in the movie (the abandoned mall is still standing and still abandoned)? Instead, they chose to include John performing as the Killer Bee on SNL. Instead of a track listing booklet inside the case, they'd rather you have an ad for other "great" DVD titles available from Universal. Instead of never before seen footage, you get the same documentary, the same production notes/pictures, and the same interviews that were included in the previous release.
It's obvious that this was thrown together with little thought or effort. The Chicago Sun Times did a better tribute piece to the anniversary of the Blues Brothers than Aykroyd did for his own film.
Oh well...only five more years until the 30th Anniversary Edition comes out.

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Out of Sight (1998) Review

Out of Sight (1998)
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George Clooney stars with Jennifer Lopez in this excellent and entertaining romantic heist movie, unfortunately much overlooked and poorly promoted on its theatrical release. Based on the novel by Elmore Leonard and superbly and subtly directed by Steven Soderbergh. George Clooney (as bank robber Jack Foley) and Jennifer Lopez (as Federal Marshall Karen Sisco) light up the screen with previously unparalleled sexual chemistry in the movie that finally launched their big screen careers to the A list, after previous false starts (such as The Peacemaker and The Money Train respectively). Also boasting a very impressive supporting cast that includes Ving Rhames, Don Cheadle, Steve Zahn, Albert Brooks, Dennis Farina (as Jennifer Lopez father) and great cameos from Michael Keaton and Samuel L. Jackson, movies really don't get much better than this.
Principally this is the story of serial bank robber Jack Foley and Federal Marshall Karen Sisco, on opposite sides of the law but inescapably attracted to each other. When Jack escapes from prison aided by his friend Buddy (Rhames) he ends up in the trunk of a car with the kidnapped Karen Sisco (Lopez) after she nearly foils the prison break. However, thanks to their inept friend Glenn Michaels (Zahn), Karen escapes and Jack and Buddy have to go on the run. Meanwhile, Karen Sisco is hot on Jack's trail in more ways than one in this brilliantly played, beautifully written, excellently directed movie. This has everything I love about movies, a great story, great cast and great style. Truly unmissable and well worthy of five stars.

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Donnie Darko (2001) Review

Donnie Darko  (2001)
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First I would like to say that this review is more targeted at the Blu-Ray transfer of this movie. When I first found out this movie was available on Blu-Ray I had to have it since it's one of my favorite movies. I already owned the DVD, and was happy with the quality of the video on my up-converting DVD player. I figured the Blu-Ray would have to look better since it advertised as HD 1080p. Unfortunately that was not the case; in fact the DVD looks better up-converted than the Blu-Ray does. How does that happen? It appears the studio did very little to prepare this film for Blu-Ray. If anything they made it worse by trying to doctor it up rather than spend the money to re-master it properly. The movie has a lot of dark scenes which are almost all grainy and not very detailed. The light scenes are not as noticeable but you can still see it unless you're sitting a good distance from your TV. I guess the point I'm trying to make would be to hang on to your DVD until they fix the Blu-Ray transfer. At the new price it's worth buying if you don't already have the DVD, but don't "up grade" to this from your DVD.

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Out of Sight (1998) Review

Out of Sight (1998)
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George Clooney stars with Jennifer Lopez in this excellent and entertaining romantic heist movie, unfortunately much overlooked and poorly promoted on its theatrical release. Based on the novel by Elmore Leonard and superbly and subtly directed by Steven Soderbergh. George Clooney (as bank robber Jack Foley) and Jennifer Lopez (as Federal Marshall Karen Sisco) light up the screen with previously unparalleled sexual chemistry in the movie that finally launched their big screen careers to the A list, after previous false starts (such as The Peacemaker and The Money Train respectively). Also boasting a very impressive supporting cast that includes Ving Rhames, Don Cheadle, Steve Zahn, Albert Brooks, Dennis Farina (as Jennifer Lopez father) and great cameos from Michael Keaton and Samuel L. Jackson, movies really don't get much better than this.
Principally this is the story of serial bank robber Jack Foley and Federal Marshall Karen Sisco, on opposite sides of the law but inescapably attracted to each other. When Jack escapes from prison aided by his friend Buddy (Rhames) he ends up in the trunk of a car with the kidnapped Karen Sisco (Lopez) after she nearly foils the prison break. However, thanks to their inept friend Glenn Michaels (Zahn), Karen escapes and Jack and Buddy have to go on the run. Meanwhile, Karen Sisco is hot on Jack's trail in more ways than one in this brilliantly played, beautifully written, excellently directed movie. This has everything I love about movies, a great story, great cast and great style. Truly unmissable and well worthy of five stars.

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Out of Sight (1998) Review

Out of Sight (1998)
Average Reviews:

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George Clooney stars with Jennifer Lopez in this excellent and entertaining romantic heist movie, unfortunately much overlooked and poorly promoted on its theatrical release. Based on the novel by Elmore Leonard and superbly and subtly directed by Steven Soderbergh. George Clooney (as bank robber Jack Foley) and Jennifer Lopez (as Federal Marshall Karen Sisco) light up the screen with previously unparalleled sexual chemistry in the movie that finally launched their big screen careers to the A list, after previous false starts (such as The Peacemaker and The Money Train respectively). Also boasting a very impressive supporting cast that includes Ving Rhames, Don Cheadle, Steve Zahn, Albert Brooks, Dennis Farina (as Jennifer Lopez father) and great cameos from Michael Keaton and Samuel L. Jackson, movies really don't get much better than this.
Principally this is the story of serial bank robber Jack Foley and Federal Marshall Karen Sisco, on opposite sides of the law but inescapably attracted to each other. When Jack escapes from prison aided by his friend Buddy (Rhames) he ends up in the trunk of a car with the kidnapped Karen Sisco (Lopez) after she nearly foils the prison break. However, thanks to their inept friend Glenn Michaels (Zahn), Karen escapes and Jack and Buddy have to go on the run. Meanwhile, Karen Sisco is hot on Jack's trail in more ways than one in this brilliantly played, beautifully written, excellently directed movie. This has everything I love about movies, a great story, great cast and great style. Truly unmissable and well worthy of five stars.

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Donnie Darko (2001) Review

Donnie Darko (2001)
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First I would like to say that this review is more targeted at the Blu-Ray transfer of this movie. When I first found out this movie was available on Blu-Ray I had to have it since it's one of my favorite movies. I already owned the DVD, and was happy with the quality of the video on my up-converting DVD player. I figured the Blu-Ray would have to look better since it advertised as HD 1080p. Unfortunately that was not the case; in fact the DVD looks better up-converted than the Blu-Ray does. How does that happen? It appears the studio did very little to prepare this film for Blu-Ray. If anything they made it worse by trying to doctor it up rather than spend the money to re-master it properly. The movie has a lot of dark scenes which are almost all grainy and not very detailed. The light scenes are not as noticeable but you can still see it unless you're sitting a good distance from your TV. I guess the point I'm trying to make would be to hang on to your DVD until they fix the Blu-Ray transfer. At the new price it's worth buying if you don't already have the DVD, but don't "up grade" to this from your DVD.

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Razorback (1984) Review

Razorback  (1984)
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Razorback (Russell Mulcahy, 1984)
I actually rented this looking to see if it contained a long sample from a song of the same name by the band Terror Organ. (It does.) I was expecting it to be another godawful piece of made-for-TV Aussie cinema that ignores Australian film history since, and perhaps before, On the Beach; what I got was a pleasant surprise, to say the least. This was Mulcahy's first big-screen feature, but film fans will recognize the name as the guy who directed Highlander, Ricochet, and (ironically) the recent TV adaptation of On the Beach; Razorback contains a number of the elements that have made his films above average ever since.
As it is with, seemingly, all Australian films of the past forty years, the first thing most people are going to notice about Razorback is the stunning cinematography, which was obvious even on a well-used videocassette. Whatever they're doing down under in the growing of their cinematographers, they're doing it right. The second thing is Mulcahy's use of light and darkness, comparable to that of David Lynch or David Fincher; the man knows what he's doing when his characters are holding flashlights.
The story itself is somewhat amusing; an old, isolationist farmer, Jake Cullen (Bill Kerr of "Garry Halliday” fame), has his house attacked and his grandson carried off by a giant, insane razorback hog. He attempts to convince the people who live in his small outback town of the danger they're in, but no one believes him, including an animal activist from America, Beth Winters (Judy Morris). When Winters goes missing, her husband Carl (the ubiquitous Gregory Harrison, who has been in every TV miniseries made in the past ten years) heads to Australia to look for her.
It's a simple little film that rises above obscurity thanks to its blistering pace, great camera work, and a solid cast. It's not going to make you think all that much, but it never wants to; it just wants to entertain. ** ½

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Offspring (1987) Review

Offspring  (1987)
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The 80s saw a mini-resurgence of the horror anthology film format popularized in the 60s and 70s, primarily by a studio out of England called Amicus (affectionately known as `The Studio That Dripped Blood'). This new crop included The Monster Club (1980), Creepshow (1982), and this little, late entry nugget titled From a Whisper to a Scream (1987) aka The Offspring, to name a few...co-written and directed by Jeff `Mr. Sequel' Burr (Stepfather II, Leatherface: Texas Chainsaw Massacre III, Puppet Master 4), the film includes some notable performers like Vincent Price (The Abominable Dr. Phibes, The Monster Club), Clu Gulager (The Return of the Living Dead, Nightmare On Elm Street Part 2: Freddy's Revenge), Rosalind Cash (Tales from the Hood), and Susan Tyrrell (Big Top Pee-wee, Cry-Baby). Also appearing is Terry `Bernie' Kiser (Weekend at Bernie's, Mannequin: On the Move), Harry `Grandville' Caesar (The Longest Yard), Cameron Mitchell (The Toolbox Murders, The Swarm), Ron Brooks (Leatherface: Texas Chainsaw Massacre III), Miriam Byrd-Nethery (Stepfather II), and Martine Beswick (Thunderball, One Million Years B.C., Dr. Jekyll and Sister Hyde) in a small, but memorable part.
The movie is comprised of four tales of grotesque ghoulishness, tied together with a fifth, or wraparound story, featuring Price as a librarian/historian of the little southern town of Oldfield, Tennessee (Tenneseeing is believing!). Seems the town, which has a dark and troubled past, draws upon people to do nasty things...the first tale proper features an almost unrecognizable Gulager as Stanley Burnside, a mild, mousy man with about the thickest pair of glasses I've ever seen. Anyway, Stanley's got the hots for a babe he works with, but she seems hardly interested (not surprising as Stanley's got an creepy `albino' vibe going on). Stanley finally manages to wrangle a date, but things go from bad to worse (worse being murder) as an obviously repressed Stan loses his cool (I'm thinking he probably should have tossed one off prior to the date). Things get particularly weird as Stan wants a second date, even if he has to break into the funeral home to do so...the second story, set about thirty years earlier than the first, features Kiser as Jesse Hardwicke, a two-bit hood who, after being betrayed by his girlfriend, is shot, left for dead, and found by a resident of the swamp played by Caesar. Turns out the old man practices some kind of voodoo, and has a valuable secret which Jesse, being the greedy, ungrateful, rat slimeball he is, will stop at nothing to acquire. The third story, set in the 30s, features Rosalind Cash as a cruel and sadistic owner of a traveling carnival show that stops in Oldfield. Seems most everyone who works for her has done something bad in their past, and now she provides them protection, asking only one thing in return...complete and utter devotion. Did I mention she's a witchy woman? The trouble begins as one of her `performers' tries to break free of her grasp. The fourth and final story is set near the end of the civil war, and features Cameron Mitchell as an a-hole leader of a small group of Union soldiers separated from their unit. Learning that the war has actually ended, the group decides to sack and pillage some towns, Oldfield being first on the list. They get waylaid though, by a band of local orphans who've got plans of their own.
I liked the overall structure of the film, in that the intent being to show how the town was build on a history of violence, starting from the present and working back in reverse, chronological order. As far as the individual stories, they were hit and miss. The first was okay (Gulager especially good), but lacked the strong twist I was hoping for...it could have delivered a more powerful punch had the director not telegraphed the ending with text displayed on the screen (if you've seen the film, you probably know what I mean). The second tale, however, did have a most excellent twist, and turned out to be the best of the bunch, in my opinion. It kept things simple, which is probably why it worked better than the others. This one actually reminded me a lot of the stories from the old EC comics like Tales of the Crypt, or The Vault of Horror. The third story, the one about the traveling carnival, was my least favorite, as it had no real twist, was an anemic tale, and contained a whole lot of really bad acting, especially by Ms. Cash, who proved she could chew up the scenery as well as anyone. The other thing it had a whole lot of was blood in a spectacularly pointless sequence. I liked the fourth story about as much as I liked the third, which is to say not a whole lot. It was interesting, and showed some promise, but eventually petered out, especially in terms of the expected twist ending. And then there's the wrap around story...Vincent Price, looking pretty aged here, adds a lot to anything he's in, as he was an actor with incredible screen presence, along with being a consummate professional...too bad he wasn't utilized better than he was here. I did like the notion of who his character was and how he presented the stories, but again, there was something lacking, and I grew tired of his character continually harping on the evil inherent in the town (yeah, we got the point by now). The wraparound pieces in these horror anthologies general tend to be weak, but this one is especially flaccid. Overall the direction throughout is solid, but the writing was lacking in general, producing one, really good tale, one so-so, and two not so hot. I do enjoy a good horror anthology, and while I felt the effort was here, I have seen better...
The picture is presented in both fullscreen and anamorphic widescreen (1.85:1) on this DVD. The picture quality is decent, but I did notice some slight `graininess' resulting in a lack of overall sharpness. It's not terrible, but I think it could have been cleaned up a little. The Dolby Digital mono audio comes through well enough. The only extra feature is a poor looking theatrical trailer for the film, which really is much of a feature, but oh well...
Cookieman108
If you enjoy horror anthologies like this, I'd recommend checking out some other films like Dr. Terror's House of Horrors (1965), Torture Garden (1967)*, The House That Dripped Blood (1970)*, Tales from the Crypt (1972), Asylum (1972)*, From Beyond the Grave (1973), and The Vault of Horror (1973). Not all are available on DVD at this time, but should be...
*denotes film is available on DVD in the states, as I write this (Torture Garden was just recently released).


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Item Name: From a Whisper to a Scream; Studio:MGM (Video & DVD)

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Out of Sight (1998) Review

Out of Sight  (1998)
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George Clooney stars with Jennifer Lopez in this excellent and entertaining romantic heist movie, unfortunately much overlooked and poorly promoted on its theatrical release. Based on the novel by Elmore Leonard and superbly and subtly directed by Steven Soderbergh. George Clooney (as bank robber Jack Foley) and Jennifer Lopez (as Federal Marshall Karen Sisco) light up the screen with previously unparalleled sexual chemistry in the movie that finally launched their big screen careers to the A list, after previous false starts (such as The Peacemaker and The Money Train respectively). Also boasting a very impressive supporting cast that includes Ving Rhames, Don Cheadle, Steve Zahn, Albert Brooks, Dennis Farina (as Jennifer Lopez father) and great cameos from Michael Keaton and Samuel L. Jackson, movies really don't get much better than this.
Principally this is the story of serial bank robber Jack Foley and Federal Marshall Karen Sisco, on opposite sides of the law but inescapably attracted to each other. When Jack escapes from prison aided by his friend Buddy (Rhames) he ends up in the trunk of a car with the kidnapped Karen Sisco (Lopez) after she nearly foils the prison break. However, thanks to their inept friend Glenn Michaels (Zahn), Karen escapes and Jack and Buddy have to go on the run. Meanwhile, Karen Sisco is hot on Jack's trail in more ways than one in this brilliantly played, beautifully written, excellently directed movie. This has everything I love about movies, a great story, great cast and great style. Truly unmissable and well worthy of five stars.

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Dead of Winter (1987) Review

Dead of Winter  (1987)
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I shouldn't like "Dead of Winter" as much as I do. It has some faults, a few of them glaring. But, however many faults the movie has, it still grips me, and evokes the fear and suspense necessary for it to qualify as a taut thriller. You have a claustrophobic setting, disturbing older men, a woman in distress, and murder. These ingredients come together to make for a very interesting hour and a half. At the very least, I found myself entertained.
The film starts out with the murder of a woman in an abandoned parking lot on a snowy winter's night. Next we are in New York City, where we are exposed to the struggling actor's life of Katie McGovern (Mary Steenburgen). She is just looking for that one good role (with good pay, of course). After she does well at an audition, the man hosting it, Mr. Murray (Roddy McDowall), invites her upstate to an isolated country house, in order to do some test screening. Katie agrees. She tells her boyfriend she will call him once there, and is off. Once Katie arrives at the house, she is introduced to the man in charge, Dr. Joseph Lewis (sinisterly portrayed by Jan Rubes). Uneasy things begin to occur (the phones lines go dead, and the car won't start), and soon Katie's world turns upside down as the two older men begin to unveil their frightening plan upon the unsuspecting actress.
There are things to knock about "Dead of Winter". Many of them involve aspects of what film critic Roger Ebert has termed "The Idiot Plot". This is where characters are in certain situations that go on for far too long because, instead of doing the sensible thing, they act with fairly bad judgement, thus enabling the movie to exist and continue on. A few examples: Why go hours upstate to an isolated house for a screen test? Why believe that an old *doctor* is in charge of casting a movie? Why, when you see that the two men whose house you are in have thrown your driver's license in the fireplace, do you act casually, as though nothing is wrong? I won't go on, as I don't want to give away too much of the film. Suffice it to say, you will need to suspend some disbelief, and just go with the flow.
There are many good elements about "Dead of Winter". The direction by Arthur Penn is steady, and moves along at a good pace. The casting is great. Mary Steenburgen, Roddy McDowall, and Jan Rubes are all perfect in their roles. The setting is superb - an old, wood interior, victorian style house in the middle of the countryside. A fierce blizzard snowing-in the hapless actress. All of the elements come together very well.
Some night, when the wind is howling outside, the snow drifts are accumulating around your house, and you're feeling just a wee bit isolated, decide on a good night of suspense, and watch this movie. Watch it, in the "Dead of Winter".

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Academy Award(r) winner* Mary Steenburgen and Roddy McDowall star in a pulse-pounding thriller in the tradition of the legendary master of suspense, Alfred Hitchcock. "You'll find yourself on the edge of your seat" (Los Angeles) with this bone-chilling tale of deception, blackmail and murder in which no one is who they seem to be and any mistake could be your last. When actress Katie McGovern (Steenburgen) is summoned to an isolated estate for a screen test, she finds that her mysterious hosts, Mr. Murray (McDowall) and Dr. Joseph Lewis (Jan Rubes), have plans for her'that have nothing to do with acting! And when the deadly money-making scheme erupts in a firestorm of double-crosses and cold-blooded murder, Katie realizes she has only one chance at survival: She must turn the tables on her enemies by giving the performance of her life!*1980: SupportingActress, Melvin and Howard

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Jail Bait (1954) Review

Jail Bait  (1954)
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Jail Bait, shot by Wood in between Glen or Glenda and Bride of the Monster, is perhaps the least-known and -loved of his 1950s features, probably because it's more competently produced and slower paced than his more notorious films. The misleading title (referring to a handgun, not an underage girl) may lead to disappointment for the first-time viewer expecting sleazier fare. And Jail Bait just doesn't exhibit the unbridled lunacy and delirious verve of Plan 9 and Glen or Glenda, although there's plenty of Ed's mind-numbing, circular dialogue and a handful of ludicrous plot points for the seasoned Woodophile to savor. The cast features Hollywood veterans Lyle Talbot and Herbert Rawlinson (who died of lung cancer during production), Wood's then-girlfriend Dolores Fuller (later composer of a number of Elvis tunes), newcomer Steve (Hercules) Reeves, perennial sleazemeister Timothy Farrell (Gun Girls, Devil's Sleep, Girl Gang, Racket Girls), Vogue model (and Jack Paar's sexy weathergirl) Theodora Thurman, and apparent nonactor 'Clancy Malone' (actually Scott McCloud, Glen or Glenda's unit director). It's fun to track the conflicting acting styles (and competencies): former silent star Rawlinson (as Dr. Gregor) out-acts the bunch; Fuller is stiff as a board; Farrell and Thurman chew the scenery voraciously; Steve Reeves personifies the 'dumb hunk' (watch him attempt to run lines with Talbot while putting on a coat and tie); and Malone just tries to act his way out of a paper bag. The plot is essentially the story of a jerk (Farrell) and an idiot (Malone) who go on the lam after shooting a cop while robbing a beauty parlor (!?). Logical lapses abound (e.g. Malone's father hides him from the cops, then lets him go if he promises to turn himself in later; Farrell's moll [Thurman] is hopelessly loyal even though he constantly treats her like dirt). It all finishes with a hilarious "twist" ending involving plastic surgery. Bad Film fanatics will love to cringe at the irritating piano-and-guitar score (recycled from Mesa of Lost Women) by Hoyt Curtin (who wrote the Jetsons theme and scored all the major Hanna-Barbera cartoon series) and the embarrassing minstrel show sequence, which in true Woodian fashion is inserted into the movie for no apparent reason whatsoever. While Jail Bait never reaches the dizzying heights/depths of Wood's more famous films, there's enough chaff to be found amongst the wheat to satisfy trash film junkies with the patience to dig a little.
Image's DVD, part of their Wade Williams Collection, is as fine a presentation of the movie as you're likely to see. Although there is some light speckling and blemishing (mostly around reel changes), the source print exhibits overall excellent brightness, contrast, and shadow/highlight detail. The picture is very crisp, at times revealing some fine grain in the source material. The Dolby 1.0 sound is clear, although the level seems a bit soft. Eleven chapter stops and a slightly washed out Jail Bait trailer (also suffering from some speckling, blemishing, and vertical scratching) are included. A minimal but very fine package; perhaps a bit pricey for some considering the few extras, but nonetheless essential viewing for serious aficionados of Ed Wood or cheap, trashy movies in general.

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Donnie Darko (2001) Review

Donnie Darko  (2001)
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First I would like to say that this review is more targeted at the Blu-Ray transfer of this movie. When I first found out this movie was available on Blu-Ray I had to have it since it's one of my favorite movies. I already owned the DVD, and was happy with the quality of the video on my up-converting DVD player. I figured the Blu-Ray would have to look better since it advertised as HD 1080p. Unfortunately that was not the case; in fact the DVD looks better up-converted than the Blu-Ray does. How does that happen? It appears the studio did very little to prepare this film for Blu-Ray. If anything they made it worse by trying to doctor it up rather than spend the money to re-master it properly. The movie has a lot of dark scenes which are almost all grainy and not very detailed. The light scenes are not as noticeable but you can still see it unless you're sitting a good distance from your TV. I guess the point I'm trying to make would be to hang on to your DVD until they fix the Blu-Ray transfer. At the new price it's worth buying if you don't already have the DVD, but don't "up grade" to this from your DVD.

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Showgirls (VIP Limited Edition) (1995) Review

Showgirls (VIP Limited Edition) (1995)
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If you previously bought the SHOWGIRLS VIP edition - this is the exact same disc only packaged without the box and all the trinkets that came with that edition. You get commentary by a guy who is a fan of the movie and helps host late night screenings, the Scores girls talk about stripping and critique those sequences, and there's an old promotional piece made during shooting that is called "A Diary". The transfer is good and the extras are fun, though none of them seem to cover anybody associated with the film. If you did not purchase the glam deluxe box set this is a cheap way to get all those features without hunting it down. Otherwise if you have that edition, this is merely a double dip and repackaging of the same disc with new cover art.
This is the NC-17 cut and no additional material has been added. If you have that edition already there is no difference in the movie at all. There are no deleted or extended scenes. This is the version shown in theatres and released twice before on DVD.
SHOWGIRLS begs for better extras. I would love to hear a director's commentary or Elizabeth Berkley and Gina Gershon talk about the film. But that hasn't happened yet. Maybe one day we can hope for a Criterion edition and all the stops will be pulled out!

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Seduction, passion and power struggles unfold when the creators of Basic Instinct, director Paul Verhoeven (Starship Troopers) and screenwriter Joe Eszterhas (Original Sin) blow the lid off the seemingly glamorous world of Las Vegas showdancing to create one of the most controversialand shockingfilms of all time.Nomi Malone (Elizabeth Berkley) has what it takes to make it as a Las Vegas showgirlwhat she doesn't have is a way in. To survive, she accepts the only job available: lap dancing at a seedy club. And when she meets Cristal (Gina Gershon), Vegas'reigning showgirl, Nomi wants everything she hasincluding her boyfriend (Kyle MacLachlan). And as Nomi dives deeper into the world she so desperately desires, a rivalry between the two women heatsup. The battle for the spotlight becomes so fiercely competitive that it drives Nomi to desperate lengthsand devious heightsfor fame in Sin City.

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Donnie Darko Review

Donnie Darko
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First I would like to say that this review is more targeted at the Blu-Ray transfer of this movie. When I first found out this movie was available on Blu-Ray I had to have it since it's one of my favorite movies. I already owned the DVD, and was happy with the quality of the video on my up-converting DVD player. I figured the Blu-Ray would have to look better since it advertised as HD 1080p. Unfortunately that was not the case; in fact the DVD looks better up-converted than the Blu-Ray does. How does that happen? It appears the studio did very little to prepare this film for Blu-Ray. If anything they made it worse by trying to doctor it up rather than spend the money to re-master it properly. The movie has a lot of dark scenes which are almost all grainy and not very detailed. The light scenes are not as noticeable but you can still see it unless you're sitting a good distance from your TV. I guess the point I'm trying to make would be to hang on to your DVD until they fix the Blu-Ray transfer. At the new price it's worth buying if you don't already have the DVD, but don't "up grade" to this from your DVD.

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Forbidden Planet (Ultimate Collector's Edition) (1956) Review

Forbidden Planet (Ultimate Collector's Edition) (1956)
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Forbidden Planet is an incredible movie and no Sci-Fi fan should be without it. The transfer on the 50th Anniversary and Ultimate Collector's Editions is incredible. I've never seen the film look so bright, crisp and vibrant. The included documentaries and bonus footage are very entertaining and not to be missed.
A word of warning though, the Ultimate Collector's Edition is a bit of a rip off. The included Robby the Robot toy was the main reason I bought this set and it's much smaller (and less detailed) than the images lead you to believe. I haven't opened mine, but it looks like it's not even articulated. Definitely not worth the extra money I had to pay. The lobby card reporductions are nice, as is the tin case, but unless you plan to display these it's hard to justify the added cost.
Be smart, skip the Ultimate Collector's Edition and buy the 50th Anniversary Edition. You'll get just the exact same transfer and bonus material without the cheap toy and lobby cards.

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This 1956 cult classic, regarded as one of the most influential science fiction movies ever made, now has an all new Ultimate Collector's Edition featuring remastered film and audio. Loaded with hours of bonuses, vintage memorabilia, a Robby the Robot replica, and collectible packaging, this all new edition is ready for the Sci-Fi fanatic.

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Dead of Winter (1987) Review

Dead of Winter  (1987)
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I shouldn't like "Dead of Winter" as much as I do. It has some faults, a few of them glaring. But, however many faults the movie has, it still grips me, and evokes the fear and suspense necessary for it to qualify as a taut thriller. You have a claustrophobic setting, disturbing older men, a woman in distress, and murder. These ingredients come together to make for a very interesting hour and a half. At the very least, I found myself entertained.
The film starts out with the murder of a woman in an abandoned parking lot on a snowy winter's night. Next we are in New York City, where we are exposed to the struggling actor's life of Katie McGovern (Mary Steenburgen). She is just looking for that one good role (with good pay, of course). After she does well at an audition, the man hosting it, Mr. Murray (Roddy McDowall), invites her upstate to an isolated country house, in order to do some test screening. Katie agrees. She tells her boyfriend she will call him once there, and is off. Once Katie arrives at the house, she is introduced to the man in charge, Dr. Joseph Lewis (sinisterly portrayed by Jan Rubes). Uneasy things begin to occur (the phones lines go dead, and the car won't start), and soon Katie's world turns upside down as the two older men begin to unveil their frightening plan upon the unsuspecting actress.
There are things to knock about "Dead of Winter". Many of them involve aspects of what film critic Roger Ebert has termed "The Idiot Plot". This is where characters are in certain situations that go on for far too long because, instead of doing the sensible thing, they act with fairly bad judgement, thus enabling the movie to exist and continue on. A few examples: Why go hours upstate to an isolated house for a screen test? Why believe that an old *doctor* is in charge of casting a movie? Why, when you see that the two men whose house you are in have thrown your driver's license in the fireplace, do you act casually, as though nothing is wrong? I won't go on, as I don't want to give away too much of the film. Suffice it to say, you will need to suspend some disbelief, and just go with the flow.
There are many good elements about "Dead of Winter". The direction by Arthur Penn is steady, and moves along at a good pace. The casting is great. Mary Steenburgen, Roddy McDowall, and Jan Rubes are all perfect in their roles. The setting is superb - an old, wood interior, victorian style house in the middle of the countryside. A fierce blizzard snowing-in the hapless actress. All of the elements come together very well.
Some night, when the wind is howling outside, the snow drifts are accumulating around your house, and you're feeling just a wee bit isolated, decide on a good night of suspense, and watch this movie. Watch it, in the "Dead of Winter".

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