Cheaters (2000) Review

Cheaters (2000)
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I was lucky enough to catch Cheaters on HBO around two in the morning. Though it might, at first, appear to be just another overly "hip" teen comedy, Cheaters is actually one of the best films about high school that I've ever seen. Nicely blending comedy and coming-of-age drama, Cheaters tells the true story of how underdog Stienmetz High School won the 1995 Illinios Academic Decathalon just to then lose their accolades when it was revealed they'd cheated. As someone who was a part of the whole AcDec subculture in high school, I can say that this film managed to perfectly capture the feeling and the atmosphere of that competition, showing not only how it often gives a much needed sense of purpose to students who, otherwise, don't have a place in the highly regimented caste system of high school but also how public, urban-based schools often face a great deal of elitist bias in favor of more exclusive private and magnet schools. While the film never makes the mistake of excusing or trivializing the cheating, it also makes it clear that the students of Stienmetz and similar schools often are treated unfairly by a stagnant system that has decided to give up on them. In the end, it's hard not to feel sympathetic to these students even as they cheat and it's also hard not to feel that, whatever mistakes were made, the actions taken as a result, by both the media and the Chicago School Board, were even worse. The film perfectly captures the exhiliration of the student's initial victory and, just as perfectly, the terror of being judged in the mad feeding frenzy that grew out of the Stienmetz Scandal. (In one of the film's best scenes, we watch as investigators tell lies of their own to trick the students into confessing just to then give a press conference where they tell reporters that the students are the "coldest," most calculating bunch of liars they've ever experienced.) The film benefits from a talented cast of mostly unknown young actors who manage to flawlessly blend into an always-watchable ensemble. The stand-out amongst the younger actors is Jena Malone, showing a previously untapped range as the most unrepentant of the cheaters. She manages to be chillingly single-minded in the way only a teenager can while at the same time displaying an appealing vulnerability. Too smart for the world of teenagers yet to young for the world of adults, Malone gives a performance similar to Reese Whitherspoon's ground-breaking and brilliant work in Election (which, itself, makes a nice companion piece to this film) but at the same time claims this character as uniquely her own and establishes herself as an underrated actress to watch. As the AcDec coach, Jeff Daniels gives probably his best performance since the Purple Rose of Cairo, bringing some wonderfully ambigous shadings to a character who, at first, just seems to be a stereotypical wimp. After years of appearing in roles not up to his talent, Daniels reminds us that he is one of our most unpredictable actors and his performance here, bravely playing a character who isn't always likeable, will keep viewers guessing as to whether Daniels is the story's hero or its villian. Amongst the other performances, mention should be made of Paul Sorvino who gives a brilliantly comical performance as the school's clueless principal. Even as one is left to ponder the many issues raised by the film, it's hard not to smile at just the image of Sorvino, joyously and ineptly dancing at a school pep rally while the band plays a listless version of "Gonna Fly Now." Its a small, almost cliched role but Sorvino brings a touch of inspired lunacy to both it and the film.
John Stockwell, who both directed and wrote the script, has made a name for himself by making films that deal with flawed human beings whose only real mistake is realizing that the world is made up of shades of gray even as everyone else insists that everything is black-and-white. A former actor who, like the students of Stienmetz, never quite got the appreciation he deserved, Stockwell has shown with this film, his later Crazy/Beautiful, and his script for Breast Men to have a valuable and unique talent for catching the absurdities of everyday life, consistently crafting scenes that manage to be both surprising and true-to-life. (Certainly one of the highlights here is a small but knowing scene where Daniels and his students plan their post-scandal damage control by watching Stand and Deliver, the prototype for the many dedicated-teacher-in-urban-school-films that this film both comments on and sends up). With Cheaters, Stockwell maintains a perfect combination of the absurd and the realistic while keeping the story moving at just the right pace. As well, Stockwell takes one of the most overused techniques of modern film -- the montage scored by an alternative top ten hit -- and actually manages to pull it off. This alone makes him nearly unique amongst Hollywood's young directors. Perhaps even more so than Crazy/Beautiful, Cheaters proves that John Stockwell is one of the most interesting unknown directors out there and stands as a glowing testament to both his talent and the talents of his unsung actors. By all means, see this film.

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In a major academic contest against affluent Whitney High, the struggling kids of Steinmetz High School know they didn't have a chance. But one teacher and seven of his students had a dream. They knew they could succeed with the right amount of study, the right application, the right discipline...the right answers. When an opportunity to win presents itself, it's a no brainer-and for seven kids and their teacher, that could be the problem.

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Lying Review

Lying
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I have only been burned twice in the last six years in how I research ordering for my store. Welcome to the 2nd. The same reviews shown here got planted/pasted at numerous sites on the Internet, supplemented by a couple others from crew members to make this sound like a masterpiece.
At approximately 22 minutes into the film I decided to do the research to see what went wrong on me even paying for this mess. We have a story about four women uniting at a country home for unknown reasons and with unknown motives. Throw in some horrible hand-held camera work, bad film quality, characters you learn nothing about or why they are even talking to each other, senseless dialogue, boring performances and voila: 94 non-returnable minutes.
I even tried to get this from the point of view of my customers having a ladies night or wanting to see something edgy or fascinating. Nothing I listed could qualify for that. Yes, I am pissed I wasted money for a movie most customers will find boring, meaningless and poorly written - but even as into minimalist films as I am - this is a definite skipper.
DVD: Todd Haynes' interview of M and the commentary are a double dose of furtherance into this film, so if you enjoyed this, it makes it a purchase item, otherwise be careful on this one.
Edit: The reviews have been removed (at least at the moment) - so in case one is wondering what the heck I am babbling about, I swear there were two other reviews here...

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Bugsy Malone (Bugsy Malone El Pequeño Delicuente) Review

Bugsy Malone (Bugsy Malone El Pequeño Delicuente)
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The DVD that is being shipped is an import from Hong Kong, and was marked for all zones, so it should play anywhere. Very nice copy with a good clean picture and dolby 5.1 sound.
Titles are in english and chinese, but there are no annoying subtitles on the screen when you play it. I have been waiting for years for this to come out in DVD and I am very happy with the DVD.

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The Go-Getter (2007) Review

The Go-Getter (2007)
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2007's under the radar independent film The Go-Getter tells the story of a somewhat feeble and mundane Mercer(Lou taylor Pucci) who's decided to take a road trip in order to find his brother and convince him to help spread their deceased mother's ashes. With almost nothing to his name, Mercer steals a car; that is owned by the lovely Kate(Zooey Deschanel) and begins trekking across the U.S., finding loophole after loophole.
Yes, it is similar to the typical plot of an independent film, about a coming of age experience but it is more enjoyable then most, and the acting by the young cast is enjoyable. Not to mention some of the crazy characters we come to meet and quickly find a distaste for.
The cinematography is brilliant, all the scenery was just near flawless; with gorgeous colors and whimsical feelings.
Although the film itself is fantastic, the true star is the soundtrack, mostly by M Ward, it is surreal, calming and the perfect companion to the enjoyable movie.

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Item Name: The Go-Getter; Studio:Peace Arch Entertainment

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Too Much; Too Soon (1958) Review

Too Much; Too Soon (1958)
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From about 1940 to 1950 Diana Barrymore made appearances in about a dozen or more films, some headlining, but mostly in bit parts and small roles. While there is small reference to her career as an actress, the focus of the film, "Too Much Too Soon" is more towards Barrymore's personal life.
Diana Barrymore was born in 1921, the daughter of film legend John Barrymore and the writer Blanche Oelrichs. She died in 1960, at age 38.
Although there are a few minutes at the beginning of "Too Much Too Soon" devoted to her teenage years, the film really picks up around the time Diana is 19 and on Broadway. As a result of her Broadway stint, the powers that be in Hollywood decide to make her a series of offers in order to cash in on the Barrymore name.
In January 1942, Diana leaves the stage for Hollywood and in short order, takes on her husband number one (Efrem Zimbalist Jr.) without much ado. Things are rosy for a while, but Diana's drinking problem gets in the way and it's all downhill from there. A few years later at age 23, even Diana reportedly considered her acting carrer as being a washout.
So much of her journey was detoured due to alcoholism, poor decisions and failure to reconcile personal weaknesses. Diana's life becomes a nightmarish landscape which ultimately results in her crash landing in a rehab institution.
"Too Much, Too Soon" is a Hollywood classic. It has held up extremely well since its realease over fifty years ago. First released to movie audiences in 1958 this Warner Brother release was directed by Art Napoleon. The screenplay was based on Diana's autobiography written by Diana Barrymore and Gerold Frank. The music score was by Ernest Gold.
The film stars Dorothy Malone and Errol Flynn with Efrem Zimbalist Jr., Ray Danton, Neva Patterson, Murray Hamilton and Martin Milner.
Although he gets second billing, Errol Flynn "...steals the show as John Barrymore," according to the package liner notes attributed to film critic Leonard Maltin. However, it's very strange to see Flynn portray his old pal John Barrymore in a way that parallels Flynn's own life. As compared with the dashing figure he cut in "The Adventures of Robin Hood" and other swashbucklers, Flynn looks much older than his 50 years, a victim of his own lifestyle. Flynn died about a year after making this film.
I first saw this film on television as a teenager. However, to see this film in its entirety without commercial interuption was revealing. While there are no special features or even an interactive menu allowing screen access, you can fast forward or backward at ten minutes intervals using the > buttons on your remote.


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Corn Review

Corn
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Pointless is the one word that best describes this movie. The acting is decent, but just barely. Maybe they could have done better with a better script. Who knows? The premise is decent, but it goes nowhere. There are countless meaningless subplots in this storyline which have no bearing on the outcome of the movie.
To be blunt, there IS no outcome to this movie. The movie seems to exist solely for the sake of using up an hour and 37 minutes of film. There is one painfully long and awkward 30-45 second scene that involves a mailman delivering a letter and getting a scientist to sign for it. What's the point? Surely there must be one. You keep thinking they must be going somewhere with all of these painfully long and awkwardly paced scenes, so you keep watching. After all, you have invested an hour or so watching scene after scene of this, so you figure surely something is going to happen. Nope.
I wish I could think of a better way to describe how boring and pointless this movie is, but just like it's plot, there's no point.

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Confessions of an American Girl Review

Confessions of an American Girl
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Highly Recommended as an Example of How to Stage and Sequence a Complex Scene.
If you like black comedy, you should enjoy "Confessions of an American Girl". Rena (Jena Malone) is the embodiment of that old cartoon where the guy is sitting on the ground with a noose around his neck and a broken rope in his hand; captioned "some people can't do anything right". Rena lives in a mobile home with her somewhat "strange" family, is suicide challenged, is pregnant by a guy who doesn't want to be seen in public with her, and blames it all on the unfair eight year absence of her loving father, who is in prison for murder. Her dim idealic memories of her father are somewhat biased.
The highway and its exit ramps are metaphors for her life and her desire to end her life. The film is not quite as good as "Ghost World" but has much the same tone and feel.
Alicia Witt plays Rena's half-sister. Because Malone and Witt are arguably the most intelligent actresses in Hollywood, you immediately wonder about the wisdom of casting them as moronic trailer trash. But Malone has a special talent for playing this kind of "slack-jawed" character and Witt's standard sarcastic teen character works fine even in this environment. Their scenes together are the best ones in the film; with their reconciliation scene toward the end especially good.
Brad Renfro does a good job as Rena brother, O-Lon Jones (remember the waitress in Seinfeld's "Bubble Boy" episode) is excellent in a small role and Clifton Collins Jr. is great as Buddy, the prison trustee, who quickly sizes up the situation and sets the forces of change in motion.
While "American Girl" is an above average film, its main scene (the picnic at the prison which actually takes up the majority of the film) pushes it into cinema classic territory. This scene is an example of the way storytelling should be done, and the pacing is absolutely inspired. It is staged perfectly as Buddy orchestrates a sequence of revelations that changes all four visiting family members. Even if you hate the subject of this film it is worth watching just to see how wonderfully they manage this climatic scene. The disasterous visit over, the family leaves the prison with the statement "it went better than it could have".
Then again, what do I know? I'm only a child.


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Bugsy Malone Review

Bugsy Malone
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The DVD that is being shipped is an import from Hong Kong, and was marked for all zones, so it should play anywhere. Very nice copy with a good clean picture and dolby 5.1 sound.
Titles are in english and chinese, but there are no annoying subtitles on the screen when you play it. I have been waiting for years for this to come out in DVD and I am very happy with the DVD.

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Import only Blu-Ray pressing. Region All. Special features include, Promotional Trailers, Photo Gallery, 'From Sketch to Screen' featurette. 1080p / 16:9 - 1.78:1. Dolby Digital 5.1. This award winning film directed by Alan Parker (1976) stars Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. Instead of throwing fists or bullets, the prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. ITV. 2008.

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Warlock (1959) Review

Warlock (1959)
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The 1959 film "Warlock" is one of those great surprises for movie fans. It's a classic western, undiscovered, awaiting the lucky viewer who happens to stumble across it. After viewing this dark, almost gothic oater, most viewers will ask themselves, "Why haven't I heard of this film?!"
I'm not sure as to why "Warlock" has been relatively ignored over the years, though I think the film is derivative of other films. I think the generic Hollywood backlots where "Warlock" was undoubtedly filmed certainly detract from its overall allure. But simply put, "Warlock" fell through the cracks, and it's a film deserving of reexamination.
Part "High Noon," part "Shane," part "The Searchers," "Warlock" tells the tale of a town victimized by crime. They hire a gunfighter in the form of Henry Fonda, who arrives with a crippled sidekick (Anthony Quinn) in tow. Fonda's character becomes a semi-celebrity, granted carte blanche as he calmly strolls the streets adorned in shining pistols and dark suits. The cantankerous Quinn, lugging around a shotgun, watches Fonda's back while sipping champagne and taking care of the finances.
But the town (named Warlock) is anything but a simple job. A former love of Quinn's (Dorothy Malone) is a resident, and he wants her back. Richard Widmark also resides here, and he's none too happy about the hiring of the gunfighters, sensing the community should stand up for itself. A young woman (Dolores Michaels) also catches Fonda's eye, and for the first time he begins to wonder about settling down. All of these emotional dramas play out, having tragic circumstances.
Director Edward Dmytryk, one of the more underrated filmmakers from this period, has done an excellent job in weaving these multiple storylines together. He also displays an excellent visual flair, most notably during a gunfight between Fonda and Frank Gorshin about midway through the film. I could argue that the scene is one of the great cinematic gunfights in history. Superbly choregraphed, Fonda screams the name "Billy, Billy......!" before drawing his gun and reluctantly killing the man. It is a brilliant, unforgettable moment, precursing many of the operatic gunfights from Sergio Leone's spaghetti westerns 10 years later.
Quinn also gives a memorable supporting performance as Fonda's sidekick. Tortured by his club foot handicap and angry at the world, Quinn is a live keg waiting to explode. He does the dirty work for Fonda, and exposes the hypocrisy of Fonda's dream to settle down and retire from a life of gunfighting. Quinn knows he and Fonda can never be a part of modern civilization. Essentially, they are walking death, perfectly symbolized by Fonda's dark suits - a black spot in the dusty streets, stark and apart.
As Fonda stands amid the ruins of a burned out saloon, he is alone, tall, lanky, a scythe-carrying spector. His past choices have fatefully isolated him from civilization. Like John Wayne's Ethan Edwards at the end of "The Searchers," he can never comfortably walk through the door of domestic civilization. He is destined a life of solitude, forced by fate to step aside and allow the modern world to take root. His job, for all intents and purposes, is finally done.
"Warlock" is a great, undiscovered western. It has brilliant performances, terrific dialogue and unforgettable imagery. It is an unheralded masterpiece.

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In this Classic Western, Henry Fonda and Anthony Quinn clean up a lawless town, only to discover there's even more unfinished business.

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Bugsy Malone (1976) Review

Bugsy Malone  (1976)
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The DVD that is being shipped is an import from Hong Kong, and was marked for all zones, so it should play anywhere. Very nice copy with a good clean picture and dolby 5.1 sound.
Titles are in english and chinese, but there are no annoying subtitles on the screen when you play it. I have been waiting for years for this to come out in DVD and I am very happy with the DVD.

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Item Name: Bugsy Malone [Blu-ray]; Studio:BMG/Arista

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Heat Review

Heat
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I'm not ashamed to tell you that I'm a big fan of Burt Reynolds. I'm also not ashamed to say that his 1986 film "Heat" is my all time favorite Burt Reynolds film. I like this movie better than "The Longest Yard," "Smokey and the Bandit," "Sharkey's Machine," and "Deliverance." Well, maybe I should remove "Deliverance" from consideration since it is more an ensemble piece than a Reynolds's vehicle. But you get the idea. I tend to enjoy his lower budget efforts from the early 1970s more than his "good old boy" stuff that made him so popular a few years later. Don't get me wrong; I thoroughly enjoyed "Smokey and the Bandit" and "Hooper" just as much as the next kid at the time, but they ruined the former with a couple of amazingly lame sequels and never adequately publicized the latter. Then Reynolds sank like a stone in the mid to late 1980s, which meant that when he made "Heat" he was trying to keep his head above water. His resurgence after the success of "Boogie Nights" in the late 1990s still continues to this day. He's supposedly appearing in four or five films opening within the next year.
Reynolds plays Nick Scaliente in "Heat," an aging tough guy who has fallen on hard times in Las Vegas, Nevada. Once considered as an excellent recruit by the local mafia dons, Scaliente's compulsive gambling habits and anti-authoritarian attitude assured that the city's bone crushers would refuse to employ him. At the beginning of the film, we see how far this professional fighter has fallen in his efforts to earn a few bucks. A meek businessman wishing to impress his girlfriend hires Nick to pick a fight in a bar so the guy can "beat him senseless" in the parking lot, thus proving to his woman that he's tough enough to knock down a hulking guy like Scaliente. We later learn that Scaliente is willing to take any work he can find because he fervently wishes to leave Las Vegas forever in favor of a relaxing retirement in Venice, Italy. But life keeps getting in the way. While sitting in his office in a slummy part of Vegas, an office he shares with seedy lawyer Pinchus Zion (Howard Hesseman), a young computer mogul named Cyrus Kinnick (Peter MacNichol) turns up on the doorstep requesting Scaliente's services. Kinnick is a wimpy sort who wants Nick to teach him how to fight like a man, which Scaliente will eventually do in several hilarious scenes involving pushing, slapping, and punching.
In the meantime, Scaliente has a few other serious problems. Holly (Karen Young), a young harridan who happens to live next door to Nick, turns up one day asking for his assistance. The spoiled son of a big East Coast mafia don, Danny DeMarco (Neill Barry), roughed her up with the help of his beefy goons at a casino's hotel. Worse, they refused to pay her for her services. Nick at first refuses to get involved, but eventually comes around because he is at heart a decent fellow who won't let a friend suffer no matter what they do for a living. He goes to the casino posing as Holly's boss and kicks some serious you know what, slashing one guy's throat with a credit card and breaking bones with the greatest of ease. Unfortunately, Nick didn't know exactly whom he was dealing with when Holly asked him to intervene. DeMarco runs to Baby (Joseph Mascolo), the biggest mafia don in the city, and demands that Scaliente die for his intervention. Nick narrowly escapes doom when he proves that DeMarco is lying about the specific details of the violent encounter, but he knows that Danny isn't the sort of guy to forget a wrong. Sure enough, DeMarco guns for Scaliente in a conclusion that sees Reynolds's character using a piece of rebar as a spear, dumping bricks on someone's head, and kicking out an electric light to set a guy on fire. Oh yeah!
"Heat" should have received more attention from filmgoers and critics than it ultimately did. None other than William Goldman wrote the script, and Reynolds gives what is probably his best performance as the problem addled Scaliente. There's a great scene in the film where Nick and Cyrus go to a casino for a little fun at the tables that reveals all too clearly the sort of addiction plaguing Scaliente's life. Reynolds's dialogue with the card dealer Cassie (Diana Scarwid), and her reaction to his failure to win big when he's ahead, is worth watching repeatedly. So is Scaliente's open admission to Cyrus that he does indeed have a gambling problem. Even more to the film's credit is its unflinching portrayal of the flipside of Las Vegas. Most of the film takes place in run down sections of the town, which, if not exactly representative of the entire city, does show that it's not all flashy lights and glitzy hotels.
As much as I liked the film, it does have its problems. First, the scene where Reynolds goes on a rampage in DeMarco's hotel room is extraordinary for its poor editing. Why this action sequence ultimately tanks while the final showdown between Nick and Danny works so well is a mystery for the ages. Second, the plot is hardly original. We've seen a tough guy helping out the weak in a million other films. Third, the DVD version of the film is so poorly put together that it's infuriating. No extras and a fullscreen presentation were enough to make me want to pull my hair out. But in the end none of this matters. It's the performances that elevate this one to memorable status, and "Heat" is memorable for this Reynolds fan. I hope a better DVD comes out soon.


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Saved (2005) Review

Saved (2005)
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There is no easy way to clear up the debate that this film generates for those who are either religious or nonreligious, or religious but not fundamentalist, but I will say this: I attended a Southern Baptist college, and pretty much everything that one can find in this film I saw in real life. I was in a play where a girl kissed me on the cheek, to have her parents pull her out of school the next day for immorality. I knew a host of "good" Baptist girls and boys who could have written veritable Kama Sutras on things they can do together without having intercourse. I have seen so many good things declared Satanic that one would imagine that there is no room left for God. As one with an extensive evangelical fundamentalist background, I really didn't find anything too extreme. I even knew some devout Christians who were just as mean in their faith as Hilary Faye in this film. Overall, I don't think the film is anti-religious or anti-Christianity. But it is a critique of the narrowness of many Christians, a critique that I personally think Jesus would completely endorse. After all, in the Gospels, the two groups of people He had no patience with were the wealthy and the overly religious.
The point of the film wasn't to provide a Polaroid of what life in Christian fundamentalist high schools is like. If so, they would have included more of the really nice people that inhabit the schools. The point of the film is to highlight something that Jena Malone's character Mary (albeit, a not so virginal one) says to Pastor Skip near the end: "Why would God make us all so different, if he wanted us to all be the same?" I have witnessed first hand the way that many fundamentalist groups want to cut back on diversity, want to limit the number of legitimate lifestyle choices for people. I think the point of this film is that underneath the rather artificial veneer that many fundamentalist groups impose on people, they still are more diverse than they want to acknowledge, and the individuality eventually comes out, even if suppressed in the short run.
The cast is excellent, and I especially enjoyed Jena Malone as Mary. She does a great job of combining fragility and innocence and strength. The humor was sharp and to the point, and I found a host of the situations throughout the film to be thoroughly familiar.
My main complaint with the film is the last half hour, where the narrative starts falling apart, not so much conceptually as visually. Movies are always told with the camera, and not by the script, and the timing in many of the final scenes is just off a bit. For instance, where we see the Pastor Skip walking towards the hospital, and then away, and then back. Or many of the verbal encounters at the prom. The narrative flow bogged down and didn't match the rhythm of the rest of the movie.
All in all, this is a good movie about being in a teenager in a place that not everyone in our society is familiar with. With a better-paced final half hour, it would have been even better.

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Good girl Mary (Jena Malone) and her best friend Hilary Faye (Mandy Moore) are at the top of the food chain at American Eagle Christian High School. But all that is about to change in this "subversively funny" (USA Today) teen comedy about hype, hypocrisy and high school. Also starring Macaulay Culkin and Patrick Fugit, Saved! is "a boldly hilarious satire" (Rolling Stone)!

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Stick (Amazon.com Exclusive) Review

Stick (Amazon.com Exclusive)
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While I was thrilled to hear that "Stick" was finally being released on DVD, I was less enthusiastic to hear that it was just a 'manufactured on demand' DVD-R. I had never purchased one of these before, so I was a bit worried about the picture & sound quality. However my fears were laid to rest once the disc arrived. The picture & sound quality come across as good as any other standard DVD. As reported by Robbie, there is no menu or special features, so it's just straight into the film. Thanks to Universal & Amazon for this gem of a film. Recommended.

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Bugsy Malone (1976) Review

Bugsy Malone (1976)
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The DVD that is being shipped is an import from Hong Kong, and was marked for all zones, so it should play anywhere. Very nice copy with a good clean picture and dolby 5.1 sound.
Titles are in english and chinese, but there are no annoying subtitles on the screen when you play it. I have been waiting for years for this to come out in DVD and I am very happy with the DVD.

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Asian release of award winning DVD directed by Alan Parker (1976) and starring Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. Instead of throwing fists or bullets, the prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. Multi winners of BAFTA Awards. Original English dialogue with English/Chinese subtitles. Digital Dolby/5.1. NTSC. Panorama Ent. 2002.

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Give 'Em Hell Malone (2009) Review

Give 'Em Hell Malone  (2009)
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While I've come to enjoy Thomas Jane the more and more I see of him lately, it appeared upon first glance that Give 'Em Hell Malone may not have been one of his better decisions. Happily though, the film is a stylish, semi-enjoyable piece of pulp-noir that Jane appears to be quite at home in being in. Jane stars as Malone, a tough PI who has been double crossed and is now up against a crew of gangsters, including an old nemesis (Ving Rhames), a pyromaniac (Doug Hutchison, doing his best Heath Ledger Joker impersonation), and their boss (Gregory Harrison); all the while with a mysterious damsel (Elsa Pataky) in tow. Unapologetic in its blood-letting and violence, Give 'Em Hell Malone is certainly fun enough to enjoy and features style to spare from Highlander and Resident Evil: Extinction director Russell Mulcahy. What detracts from the film however is some just plain horrible editing and a screenplay loaded with plot holes. Still though, for what it's worth, Give 'Em Hell Malone is an enjoyable enough experience, and you could do much worse than what you find here.

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Thomas Jane (The Punisher, HBO's Hung) is Malone, a private eye with a reputation for being tough… so tough he can't be killed. Sent to retrieve a briefcase from a seedy hotel, Malone walks right into a trap set by the city's most notorious crime boss. Bullets, fists and blood fly as Malone battles the hulking Boulder (Ving Rhames), the incendiary Matchstick (Doug Hutchison) and the beautiful, yet deadly Mauler (Chris Yen) in order to protect the case, its mysterious contents and a bombshell client (Elsa Pataky) who may be more trouble than she's worth.
BONUS FEATURES: Interviews with Thomas Jane, Elsa Pataky and Doug Hutchison

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Give 'Em Hell Malone (2009) Review

Give 'Em Hell Malone (2009)
Average Reviews:

(More customer reviews)
While I've come to enjoy Thomas Jane the more and more I see of him lately, it appeared upon first glance that Give 'Em Hell Malone may not have been one of his better decisions. Happily though, the film is a stylish, semi-enjoyable piece of pulp-noir that Jane appears to be quite at home in being in. Jane stars as Malone, a tough PI who has been double crossed and is now up against a crew of gangsters, including an old nemesis (Ving Rhames), a pyromaniac (Doug Hutchison, doing his best Heath Ledger Joker impersonation), and their boss (Gregory Harrison); all the while with a mysterious damsel (Elsa Pataky) in tow. Unapologetic in its blood-letting and violence, Give 'Em Hell Malone is certainly fun enough to enjoy and features style to spare from Highlander and Resident Evil: Extinction director Russell Mulcahy. What detracts from the film however is some just plain horrible editing and a screenplay loaded with plot holes. Still though, for what it's worth, Give 'Em Hell Malone is an enjoyable enough experience, and you could do much worse than what you find here.

Click Here to see more reviews about: Give 'Em Hell Malone (2009)

Thomas Jane (The Punisher, HBO's Hung) is Malone, a private eye with a reputation for being tough… so tough he can't be killed. Sent to retrieve a briefcase from a seedy hotel, Malone walks right into a trap set by the city's most notorious crime boss. Bullets, fists and blood fly as Malone battles the hulking Boulder (Ving Rhames), the incendiary Matchstick (Doug Hutchison) and the beautiful, yet deadly Mauler (Chris Yen) in order to protect the case, its mysterious contents and a bombshell client (Elsa Pataky) who may be more trouble than she's worth.
BONUS FEATURES: Interviews with Thomas Jane, Elsa Pataky and Doug Hutchison

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Malone Review

Malone
Average Reviews:

(More customer reviews)
Why don't they make movies like this anymore!!! This explosive action film starring the incomperable BURT REYNOLDS will make you laugh, cry, fall in love (with Burt) then crap your pants with the absolute fantabulousness of it all. (Yes I made up the word fantabuluos just to describe this movie, because there were no words in the dictionary that could possibly do it justice.) Reynolds, in all of his action starrin', tight pants wearin', gun slingin', lady killin' glory is a CIA agent who is unhappy with his job, so he leaves, and ends up in a small Eastern Oregon town where trouble is afoot. And when Burt Reynolds is around trouble you know he can't stay out of it. Taking us from the beauty of Eastern Oregon to a breath-taking scene in Los Angeles (Very important scene!!!), this movie is like a roller coaster that is going a million miles an hour, derails, lands on another track, then the other roller coaster is coming right at it and they crash and then a barn full of maniacal patroit propaganda explodes. Then from the ashes arises Burt, with the cold, cutting eyes that warn all other maniacal patriot propagandists "Beware, Malone is coming for you!!!" Often overlooked with all the action is the beautiful love between Malone and the girl at the gas station, and then his passionate love of his old partner. At times heart warmingly beautiful at others heart racingly explosive, this movie has it all.

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