The Big Sleep (1946) Review

The Big Sleep  (1946)
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THE BIG SLEEP has a reputation for being a film that gets lost in its own complexity and which fails to clearly identify all the perpetrators of all the murders that litter its scenes. There is a certain truth to this: like the Raymond Chandler novel on which it is based, the plot is extremely complicated, and it requires the viewer to mentally track an unexpected number of characters--including two characters that never appear on screen, a pivotal character who doesn't actually have any lines, and a character who is frequently mentioned but doesn't appear until near the film's conclusion. There is not, however, as much truth to the accusation that the film never exposes all the killers: only one killer is not specifically identified, but even so his identity is very clearly implied.
All this having been said, THE BIG SLEEP is one helluva movie. In general, the story concerns the wealthy Sternwood family, which consists of an aging father and two "pretty and pretty wild" daughters--one of whom, Carmen, is being victimized by a blackmailer. P.I. Philip Marlowe is hired to get rid of the blackmailer, but an unexpected murder complicates matters... and touches off a series of killings by a number of parties who have covert interests in the Sternwood family. Perhaps the most amazing thing about the film is that you don't actually have to pick apart the complicated story in order to enjoy it. The script is famous for its witty lines and sleek sexual innuendo--much of it lifted directly from Chandler's novel--and the cast is a dream come true. Philip Marlowe would be played by a great many actors, but none of them ever bested Humphrey Bogart, who splendidly captures the feel of Chandler's original creation; with the role of Vivien Sternwood Lauren Bacall gives what might be the finest performance of her screen career; and the chemistry between the two is everything you've ever heard. The supporting cast is superlative, all the way from Martha Vickers' neurotic turn as Carmen Sternwood to Bob Steele's purring hitman Canino. There's simply not a false note to be found anywhere. Although the film really pre-dates the film noir movement the entire look of THE BIG SLEEP anticipates noir to a remarkable degree--it would be tremendously influential--and director Hawks gives everything a sharp edge from start to finish.
Two versions of THE BIG SLEEP are included on the DVD: the film as it was originally shot and the film as it was released to theatres in 1946. The actual differences between the two are fairly slight, but they prove significant. Although the original version is somewhat easier to follow in terms of story, it lacks the flash that makes the theatrical version such a memorable experience; it is easy to see why Hawks elected to rescript and reshoot several key scenes as well as add new ones, and both newcomers and old fans will have fun comparing the two. The DVD also includes an enjoyable documentary on the differences between the films and the motivations behind them. I don't usually comment on picture quality unless there is a glaring issue, but several reviewers have noted portions of this print have a flicker or seem a bit washed out. I noticed these problems, but I can't say that they in any way distracted from my enjoyment of the film, and they certainly don't prevent me from recommending it--be it on video or this DVD. And I recommend it very, very strongly indeed.

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For Love of the Game (1999) Review

For Love of the Game  (1999)
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Kevin Costner gives a very compelling performance as a baseball player at the end of his career. He is very realistic in the role and brings thought provoking issues to light. How do you decide to hang up your glove and leave a game that has been the most important thing in your life? It was great that he could personally do the pitching in this movie because it would have lost a lot of the realism and credibility if they had to use someone else.

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Basic Instinct (1992) Review

Basic Instinct (1992)
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Basic Instinct is certainly a film that has not only aged well with time, it makes you wish they could still make a sexy erotic thriller this good today. With so much political correctness going on these days, a film like Basic Instinct would never be made quite the same way, had it been made today. Attacked while it was being filmed for it's quote "negative depictions of the Gay community" as well as a so called "date rape" scene, the film became controversial practically the day it became green lit.
Sharon Stone became an overnight sensation portraying the rich, seductive & powerful Catherine Tramell, a role that seemed tailor made for the actress. But in fact director Paul Verhoeven (Robocop, Starship Troopers) had to fight hard to prove to both Carolco Pictures and actor Michael Douglas that she was in fact the only person suited for the role. Having worked with Stone on his last picture, Total Recall (1990), Verhoeven knew that Stone had something special to give to the part and he finally got that message through to all those mentioned. I'd go so far to say that with the exception of her Oscar nominated performance in Martin Scorsese's Casino, Catherine Tramell is still Sharon Stone's best performance.
So what's the big deal between the R-rated & Unrated versions of Basic Instinct? Basically a little more violence and a little more sex. There's more stabs with the ice pick in the Unrated version (about 3 or 4), more shots of the victim actually being stabbed (courtesy of a man made puppet designed by Rob Bottin) and that's about it for the violence. The added sex has mainly to do with the first encounter between Michael Douglas's Nick Curran, and Sharon Stone's Catherine Tramell. The added scenes are hot & very well done, but overall, the result is still the same. The only other difference is the Unrated version includes an audio commentary with director Paul Verhoeven and director of photography Jan De Bont. This commentary is not available on the R-rated version. But both versions do include the 2nd commentary by Feminist critic, Camille Paglia, who praises the film as one of her all time favorite movies. Her commentary is quite informative and really gave me a lot of insight into the film that I never noticed before. Those of you who own the Special Edition Laserdisc that came out a few years back should be urged not to get rid of it. It's special features are quite different from those on these DVD versions. Even the Paul Verhoevan Commentary is different from the one on the DVD. Plus the DVD doesn't give you the option of viewing the final shot of the film with the alternate scoring conducted by Jerry Goldmith, although it is shown during the making of documentary. Still worth keeping.
I personally love how much the movie feels like an Alfred Hitchcock film. The dress Sharon wheres for the interrogation scene is very similar to the one Kim Novak wore in Vertigo. There are many references to Vertigo in the film, as well as The Birds, North By Northwest, Rear Window and a few others. This adds a lot of class to the picture that only enhances its creativeness. It may be a long time before another picture comes close to matching it.
Basic Instinct..destined to become a classic!
"I hate rugrats". - Sharon Stone as Catherine Tramell

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The Big Sleep (1946) Review

The Big Sleep  (1946)
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THE BIG SLEEP has a reputation for being a film that gets lost in its own complexity and which fails to clearly identify all the perpetrators of all the murders that litter its scenes. There is a certain truth to this: like the Raymond Chandler novel on which it is based, the plot is extremely complicated, and it requires the viewer to mentally track an unexpected number of characters--including two characters that never appear on screen, a pivotal character who doesn't actually have any lines, and a character who is frequently mentioned but doesn't appear until near the film's conclusion. There is not, however, as much truth to the accusation that the film never exposes all the killers: only one killer is not specifically identified, but even so his identity is very clearly implied.
All this having been said, THE BIG SLEEP is one helluva movie. In general, the story concerns the wealthy Sternwood family, which consists of an aging father and two "pretty and pretty wild" daughters--one of whom, Carmen, is being victimized by a blackmailer. P.I. Philip Marlowe is hired to get rid of the blackmailer, but an unexpected murder complicates matters... and touches off a series of killings by a number of parties who have covert interests in the Sternwood family. Perhaps the most amazing thing about the film is that you don't actually have to pick apart the complicated story in order to enjoy it. The script is famous for its witty lines and sleek sexual innuendo--much of it lifted directly from Chandler's novel--and the cast is a dream come true. Philip Marlowe would be played by a great many actors, but none of them ever bested Humphrey Bogart, who splendidly captures the feel of Chandler's original creation; with the role of Vivien Sternwood Lauren Bacall gives what might be the finest performance of her screen career; and the chemistry between the two is everything you've ever heard. The supporting cast is superlative, all the way from Martha Vickers' neurotic turn as Carmen Sternwood to Bob Steele's purring hitman Canino. There's simply not a false note to be found anywhere. Although the film really pre-dates the film noir movement the entire look of THE BIG SLEEP anticipates noir to a remarkable degree--it would be tremendously influential--and director Hawks gives everything a sharp edge from start to finish.
Two versions of THE BIG SLEEP are included on the DVD: the film as it was originally shot and the film as it was released to theatres in 1946. The actual differences between the two are fairly slight, but they prove significant. Although the original version is somewhat easier to follow in terms of story, it lacks the flash that makes the theatrical version such a memorable experience; it is easy to see why Hawks elected to rescript and reshoot several key scenes as well as add new ones, and both newcomers and old fans will have fun comparing the two. The DVD also includes an enjoyable documentary on the differences between the films and the motivations behind them. I don't usually comment on picture quality unless there is a glaring issue, but several reviewers have noted portions of this print have a flicker or seem a bit washed out. I noticed these problems, but I can't say that they in any way distracted from my enjoyment of the film, and they certainly don't prevent me from recommending it--be it on video or this DVD. And I recommend it very, very strongly indeed.

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The Blues Brothers (1980) Review

The Blues Brothers  (1980)
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What a let down! The promise of "never before seen footage" turns out to be the same "never before seen footage" from the last DVD. The bonus materials on this disc are a joke (and not in a funny "ha ha" way). The special "Introduction to the film by Dan Aykroyd" is 23 seconds long. The "Day on the Blues Brothers Tour" is nothing more than a lame performance by the current Blues Brothers at the House of Blues. But the real insult is the featurette called "Remembering John: An ultimate portrait of John Belushi." It clocks in at 9 minutes long (including credits). Ultimate?? This is John Belushi, not Garrett Morris!
You might be reading this wondering, "So what was this guy expecting?" Well, how about an audio commentary? Perhaps some outtakes? Bloopers? Maybe concert footage of the REAL Blues Brothers on tour with Steve Martin? Why not include Blues Brothers performance footage from SNL? How about revisiting the locations made famous in the movie (the abandoned mall is still standing and still abandoned)? Instead, they chose to include John performing as the Killer Bee on SNL. Instead of a track listing booklet inside the case, they'd rather you have an ad for other "great" DVD titles available from Universal. Instead of never before seen footage, you get the same documentary, the same production notes/pictures, and the same interviews that were included in the previous release.
It's obvious that this was thrown together with little thought or effort. The Chicago Sun Times did a better tribute piece to the anniversary of the Blues Brothers than Aykroyd did for his own film.
Oh well...only five more years until the 30th Anniversary Edition comes out.

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For Love of the Game (1999) Review

For Love of the Game  (1999)
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Kevin Costner gives a very compelling performance as a baseball player at the end of his career. He is very realistic in the role and brings thought provoking issues to light. How do you decide to hang up your glove and leave a game that has been the most important thing in your life? It was great that he could personally do the pitching in this movie because it would have lost a lot of the realism and credibility if they had to use someone else.

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Basic Instinct (1992) Review

Basic Instinct  (1992)
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Basic Instinct is certainly a film that has not only aged well with time, it makes you wish they could still make a sexy erotic thriller this good today. With so much political correctness going on these days, a film like Basic Instinct would never be made quite the same way, had it been made today. Attacked while it was being filmed for it's quote "negative depictions of the Gay community" as well as a so called "date rape" scene, the film became controversial practically the day it became green lit.
Sharon Stone became an overnight sensation portraying the rich, seductive & powerful Catherine Tramell, a role that seemed tailor made for the actress. But in fact director Paul Verhoeven (Robocop, Starship Troopers) had to fight hard to prove to both Carolco Pictures and actor Michael Douglas that she was in fact the only person suited for the role. Having worked with Stone on his last picture, Total Recall (1990), Verhoeven knew that Stone had something special to give to the part and he finally got that message through to all those mentioned. I'd go so far to say that with the exception of her Oscar nominated performance in Martin Scorsese's Casino, Catherine Tramell is still Sharon Stone's best performance.
So what's the big deal between the R-rated & Unrated versions of Basic Instinct? Basically a little more violence and a little more sex. There's more stabs with the ice pick in the Unrated version (about 3 or 4), more shots of the victim actually being stabbed (courtesy of a man made puppet designed by Rob Bottin) and that's about it for the violence. The added sex has mainly to do with the first encounter between Michael Douglas's Nick Curran, and Sharon Stone's Catherine Tramell. The added scenes are hot & very well done, but overall, the result is still the same. The only other difference is the Unrated version includes an audio commentary with director Paul Verhoeven and director of photography Jan De Bont. This commentary is not available on the R-rated version. But both versions do include the 2nd commentary by Feminist critic, Camille Paglia, who praises the film as one of her all time favorite movies. Her commentary is quite informative and really gave me a lot of insight into the film that I never noticed before. Those of you who own the Special Edition Laserdisc that came out a few years back should be urged not to get rid of it. It's special features are quite different from those on these DVD versions. Even the Paul Verhoevan Commentary is different from the one on the DVD. Plus the DVD doesn't give you the option of viewing the final shot of the film with the alternate scoring conducted by Jerry Goldmith, although it is shown during the making of documentary. Still worth keeping.
I personally love how much the movie feels like an Alfred Hitchcock film. The dress Sharon wheres for the interrogation scene is very similar to the one Kim Novak wore in Vertigo. There are many references to Vertigo in the film, as well as The Birds, North By Northwest, Rear Window and a few others. This adds a lot of class to the picture that only enhances its creativeness. It may be a long time before another picture comes close to matching it.
Basic Instinct..destined to become a classic!
"I hate rugrats". - Sharon Stone as Catherine Tramell

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The Big Sleep (1946) Review

The Big Sleep  (1946)
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THE BIG SLEEP has a reputation for being a film that gets lost in its own complexity and which fails to clearly identify all the perpetrators of all the murders that litter its scenes. There is a certain truth to this: like the Raymond Chandler novel on which it is based, the plot is extremely complicated, and it requires the viewer to mentally track an unexpected number of characters--including two characters that never appear on screen, a pivotal character who doesn't actually have any lines, and a character who is frequently mentioned but doesn't appear until near the film's conclusion. There is not, however, as much truth to the accusation that the film never exposes all the killers: only one killer is not specifically identified, but even so his identity is very clearly implied.
All this having been said, THE BIG SLEEP is one helluva movie. In general, the story concerns the wealthy Sternwood family, which consists of an aging father and two "pretty and pretty wild" daughters--one of whom, Carmen, is being victimized by a blackmailer. P.I. Philip Marlowe is hired to get rid of the blackmailer, but an unexpected murder complicates matters... and touches off a series of killings by a number of parties who have covert interests in the Sternwood family. Perhaps the most amazing thing about the film is that you don't actually have to pick apart the complicated story in order to enjoy it. The script is famous for its witty lines and sleek sexual innuendo--much of it lifted directly from Chandler's novel--and the cast is a dream come true. Philip Marlowe would be played by a great many actors, but none of them ever bested Humphrey Bogart, who splendidly captures the feel of Chandler's original creation; with the role of Vivien Sternwood Lauren Bacall gives what might be the finest performance of her screen career; and the chemistry between the two is everything you've ever heard. The supporting cast is superlative, all the way from Martha Vickers' neurotic turn as Carmen Sternwood to Bob Steele's purring hitman Canino. There's simply not a false note to be found anywhere. Although the film really pre-dates the film noir movement the entire look of THE BIG SLEEP anticipates noir to a remarkable degree--it would be tremendously influential--and director Hawks gives everything a sharp edge from start to finish.
Two versions of THE BIG SLEEP are included on the DVD: the film as it was originally shot and the film as it was released to theatres in 1946. The actual differences between the two are fairly slight, but they prove significant. Although the original version is somewhat easier to follow in terms of story, it lacks the flash that makes the theatrical version such a memorable experience; it is easy to see why Hawks elected to rescript and reshoot several key scenes as well as add new ones, and both newcomers and old fans will have fun comparing the two. The DVD also includes an enjoyable documentary on the differences between the films and the motivations behind them. I don't usually comment on picture quality unless there is a glaring issue, but several reviewers have noted portions of this print have a flicker or seem a bit washed out. I noticed these problems, but I can't say that they in any way distracted from my enjoyment of the film, and they certainly don't prevent me from recommending it--be it on video or this DVD. And I recommend it very, very strongly indeed.

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Stepmom (1998) Review

Stepmom  (1998)
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I always have and always will consider this a very meaningful and worthwhile movie. Julia Roberts and Susan Sarandon were outstanding choices for the lead roles because they truly knew how to fit the types of characters they were playing. Susan Sarandon is Jackie Harrison, a highly devoted mother who is an outstanding example of a woman who loves and places her children above herself. Her ex-husband Luke (Ed Harris) finds a new love, Isabel (Julia Roberts). The whole situation is difficult for Jackie and both of her young children, especially her 12-year-old daughter Anna, who resents Isabel. When Susan is diagnosed with fatal cancer, it becomes absolutely necessary for the two kids to learn to accept Isabel. Many, many hardships and challenges rise between Susan and Isabel before they are finally able to put aside their differences, become friends, and figure out how to handle the future of their family--a future that they can no longer deny. I especially liked this movie because it deals with such serious and complex issues that many of us can at least appreciate if we have not experienced it ourselves. You really feel the tone of the issue through Anna, Susan's oldest child. She is such a horrible brat, you want to kick her, but then you soften when you realize that she is just scared and upset because she loves both of her parents, and it is hard for her to get through all of the changes. Any of us can understand or even relate to that. Although I enjoyed most aspects of this movie, I really loved the way Susan taught her children not to be afraid of her death, especially her very young son. There's no greater way to show your love for your child than by putting on a brave face during the scariest moment of your life in order to spare them the fear that you feel yourself. It truly is touching the way Susan loves her kids so selflessly in this movie. It's very deep, very moving, and worth the money to buy. I hope this review was helpful.

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Stepmom (1998) Review

Stepmom (1998)
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I always have and always will consider this a very meaningful and worthwhile movie. Julia Roberts and Susan Sarandon were outstanding choices for the lead roles because they truly knew how to fit the types of characters they were playing. Susan Sarandon is Jackie Harrison, a highly devoted mother who is an outstanding example of a woman who loves and places her children above herself. Her ex-husband Luke (Ed Harris) finds a new love, Isabel (Julia Roberts). The whole situation is difficult for Jackie and both of her young children, especially her 12-year-old daughter Anna, who resents Isabel. When Susan is diagnosed with fatal cancer, it becomes absolutely necessary for the two kids to learn to accept Isabel. Many, many hardships and challenges rise between Susan and Isabel before they are finally able to put aside their differences, become friends, and figure out how to handle the future of their family--a future that they can no longer deny. I especially liked this movie because it deals with such serious and complex issues that many of us can at least appreciate if we have not experienced it ourselves. You really feel the tone of the issue through Anna, Susan's oldest child. She is such a horrible brat, you want to kick her, but then you soften when you realize that she is just scared and upset because she loves both of her parents, and it is hard for her to get through all of the changes. Any of us can understand or even relate to that. Although I enjoyed most aspects of this movie, I really loved the way Susan taught her children not to be afraid of her death, especially her very young son. There's no greater way to show your love for your child than by putting on a brave face during the scariest moment of your life in order to spare them the fear that you feel yourself. It truly is touching the way Susan loves her kids so selflessly in this movie. It's very deep, very moving, and worth the money to buy. I hope this review was helpful.

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Written on the Wind (1956) Review

Written on the Wind (1956)
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Rock Hudson and Lauren Bacall star and Robert Stack and Dorothy Malone support in this quintessential 1950s Technicolor melodrama by the Master, imported German director Douglas Sirk. The plot involves a wealthy oil heir (Stack), the secretary (Bacall) loved by both him and his best friend (Hudson) and a bad-girl sister (Malone, in an Oscar-winning role). But neither the story nor the acting are really very good. What makes this film interesting to watch is the cinematography under Sirk's inspired direction, complete with twisted angles, and the symbolic use of color, mise-en-scene, and mirrors. Edward Platt, "Chief" from TV's "Get Smart" also appears as a doctor. The DVD extras are slight for a Criterion Collection, no featurette or commentary track. There is only a lengthy text discussion that allows you to scroll through descriptions and sometimes stills from all of Sirk's films. This text discussion is well-written and well-researched but will take you a long time to scroll through, and the often redundant images of production stills and lobby cards will make you frustrated. All in all, this DVD is worth watching, though I doubt you would want to view it over and over.

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Playboy - Sisters (1995) Review

Playboy - Sisters (1995)
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This is a pretty good Playboy DVD, but not among the best that is available out there.
There are 8 video segments here, each averaging around 5 minutes in length. At the beginning of each segment, there is about a 1 minute interview with each sister talking about their childhood, similarities as sisters, etc.
There were a total of 10 groups of sisters in this DVD, as one segment featured 3 groups of sisters, which included Playmate Corinna Harney and her sibling. The other Playmate that appeared here with her sibling was Christina Leardini.
Of all the sisters, only one pair was twins, Mindy and Mandy Malone, who also appear in the sequel DVD to this one, Twins and Sisters Too.
The best video segment, with Playmate Stacy Sanches and her sister, Kim, was a whopping 8 minutes long, as they appeared in a boxing regimen exercise workout that ranks among the best Playboy scenes. Stacy is as hot as ever here, and her sister Kim deserves her own Playmate pictorial.
Unfortunately, because this scene was so good, every other scene on the DVD seemed to pale in comparison, and as a whole, this DVD seems average. A couple of scenes were disappointing, especially the Christina Leardini scene with her sister, which was a disappointing lingerie scene.
There was one group of black sisters who I didn't find very attractive. I originally thought this scene was supposed to have Playmate Renee Tenison and her twin sister Rosie, but instead they were sisters who have never before appeared in any Playboy publication. This probabably added to my disappointment to the DVD as a whole. If the Tenison sisters were on this DVD along with the Sanches sisters, it would make this DVD an easy recommendation to buy.
I only rented this DVD, and I haven't added this DVD to my collection yet. If you can rent it first, do so to see if you like this DVD before buying it.

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Free Willy (1993) Review

Free Willy  (1993)
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The reason this film is so moving is because it is about freedom. We all value freedom and the human spirit longs to be free. Animals are born to run free, on the earth or in the sea. The thought of trapping a whale in a tank just large enough for dolphins seems rather cruel. So, we cheer on, as a 12-year-old spunky street kid makes freeing this beautiful Orca whale possible.
Jesse is the star of this movie and is at first a troubled kid who keeps thinking his mother will come back to take him home. Willy is the whale who was also taken from his family, so the two find common ground. When Willy saves Jesse's life, they form a bond of friendship and Jesse is the only one who can train the whale. The owner of the Pacific Northwest Aquatic Park plots to get insurance money by destroying the tank and when Jesse hears of the plans he has to race against time to save his friend.
The scenes of the Pacific Northwest are spectacular and the whales playfully dancing in the water is a pure display of joy. These are truly on of God's most magnificent creations. Keiko, a 7,000-pound Orca is the whale star, but they also have back-up from a full-sized "animatronic" whale. I could not tell the difference between the whales, it was that good.
One of the best parts of the film is when Jesse spends his pocket money to buy the whale his favorite treat, salmon. I just thought that showed Jesse's true character. While he acts tough on the outside, he seems to be fascinated with nature and animals and that brings out his more loving side.
Throughout the movie, the theme of family is very important and I think that might be why this film is such a favorite. There is a music video at the beginning of this video and there is also information for children about helping save whales from becoming extinct. Overall, I felt this was a great movie for children and adults and it teaches such great lessons: that we all need a family and that we should respect animals. I was captivated from beginning to end. A wonderful movie for all ages.
~The Rebecca Review

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Universal Soldier (1992) Review

Universal Soldier  (1992)
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Dolph Lundgren. Jean-Claude Van Damme. It was only a matter of time before these two muscle heads appeared in the same film, right? Lundgren's claim to fame came with his role as menacing Russian boxer Ivan Drago in the fourth "Rocky" installment. He then went on to a lengthy career of low budget B movie actioners that have become increasingly irrelevant (and increasingly hard to find). Van Damme is a different story, although his career has likewise gone into what appears to be an irrevocable tailspin. He started out making kickboxing films, but his appearance in Albert Pyun's "Cyborg" helped him move into science fiction and gun heavy action flicks. Of the Van Damme films I have seen, I would say his best effort is director Peter Hyams's 1994 flick "Time Cop." Others would probably cite this film, "Universal Soldier" as Jean-Claude's finest hour. I disagree. While there is much here to entertain lovers of shoot 'em up action, there really isn't anything very original about the movie. Don't get me wrong; I found plenty to enjoy in "Universal Soldier," but I don't think the movie is the end all be all of lower budget action films as some do.
The gosh darned government is up to their old tricks again in "Universal Soldier." Back in the Vietnam War the military started a program to develop perfect soldiers, namely soldiers who would follow orders without question, possess no moral scruples, and ones that could tote around an impressive array of firepower. Problem is the soldiers have to die first before the program leaders can do their work. These reanimated troops, the most important of which are Luc (Van Damme) and Sergeant Scott (Lundgren), now ride around in a specially outfitted trailer fulfilling combat missions. For example, when a bunch of terrorists take over a dam and hold hostages, the military brings in these super soldiers to make quick work of the situation. Nothing is perfect, however, when dealing with a Pentagon program. Universal soldiers need fancy injections of some strange fluid to keep them primed. Their bodies are also quite susceptible to temperature fluctuations; so much so that keeping these guys on ice is a daily ritual. What else can we expect with a bunch of dead guys? Things would quickly get rather rank if you kept reanimated corpses running around in the desert for hours on end. Fortunately, operations leader Colonel Perry (Ed O'Ross) has everything firmly under control. Or does he?
Nope. Luc perished in Vietnam in an attempt to stop Sergeant Scott from committing a dastardly deed against the local populace. He managed to bring the crazed NCO down before expiring, but memories of the incident begin to reemerge in Luc's mind. Before you can say, "I will break you" Luc escapes from the program with the help of a nosy reporter named Veronica (Ally Walker) and Sergeant Scott goes nuts. What follows is predictable in the extreme as Veronica and Luc roam the landscape in an effort to find the man responsible for turning him into a zombie, Dr. Gregor (Jerry Orbach), and then return home to his dear parents in Louisiana. Sergeant Scott's new mission involves hunting down Luc in order to turn him into dog food. Hotels are shot up, vehicles explode, bodies cartwheel through the air, and the inevitable showdown between Scott and Luc properly--if predictably--entertains. The movie even throws in a humorous scene involving Luc chowing down on plates and plates of food at a diner before beating a bunch of locals senseless (he hasn't eaten in decades, after all). Will Luc survive long enough to meet up with the 'rents for a heartwarming reunion? Will Veronica live long enough to file the story of a lifetime? How many people will Sergeant Scott kill? Tune in and find out.
I enjoyed "Universal Soldier" immensely despite the numerous plot holes. For instance, the movie insists on telling us that Luc needs to cool off with ice quite frequently or else he begins to wear down like one of those wind up toys. The use of ice becomes rather slipshod later on in the movie when it is impossible for Luc to take a break from battling Scott. In fact, in several scenes we see Van Damme's character wheezing and moaning like a senior citizen only to return to full combat readiness a few seconds later. Hmmm. Moreover, how in the heck is it possible for a guy who died twenty years ago to eat solid food with no ill effects? Easy--the script insisted on it. But who really cares, though? It's not like we're watching this film to see marvelous performances or deep, intricate dialogue. "Universal Soldier" exists to show us lots of explosions and bloody carnage, and we thankfully get plenty of that. Sergeant Scott has a thing for killing anyone who gets in his way AND for carrying around necklaces made out of human ears, which definitely helps his character stand out in a crowd. Luc isn't above inciting a little mayhem himself as evidenced during his bone crushing fight with Scott. By the time the credits roll most action film fans will likely let out a sigh of moderate satisfaction over "Universal Soldier."
The Special Edition DVD contains plenty of extras, including an audio commentary with Van Damme and Lundgren, a making of feature, background information on the careers of both stars, an alternate ending that would have put the kibosh on the sequel had the filmmakers ran with it, and a bunch of action film trailers--"The Rambo Trilogy," "The Punisher," and a couple of others. Perhaps the most interesting thing about this movie is learning Roland Emmerich directed it. The success of "Universal Soldier" gave him enough clout to move on to bigger, but not necessarily better, films. I recommend watching this one and skipping the lousy sequel.


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Supernova (2000) Review

Supernova (2000)
Average Reviews:

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Best:
1) It really feels like you're in space and far from home.
2) The acting from everyone was amazingly good.
3) 9th dimentional matter is very cool as a concept. The special-effects rendition of what it looks like and how it effects humans is astonishing.
4) The indestructable man Carl (strengthened by the 9th dimentional matter), who just keeps coming no matter what you do to him (and they did a LOT), was simply eye-popping to watch.
5) The main spaceship's dimentia-drive (that seemed to be a less safe precursor to hyperspace or warp drive) was an interesting addition.
6) The deleted scenes are numerous and MUST-sees.
7) You get to see Robin Tunney topless twice (ha).
Worst:
1) The scientific jargon is a little hard to understand (or believe) sometimes.
2) The ending (even the alternate version) was predictable, but they threw in some conceptual touches to make you think - hmm.
Recommendation:
The price is good. Get it even if you aren't a huge sci-fi fan.

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House on Haunted Hill (1999) Review

House on Haunted Hill (1999)
Average Reviews:

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Released at almost the same time as the awful "The Haunting" I wasn't expecting much, but this movie delivers.
A terrifically creepy and nasty opening and the jolting modern day introduction set us up nicely. An able cast is brought to the haunted house where unspeakable things were done to mental patients who's revenge we witnessed at the outset. Geoffrey Rush is great, doing a nice oily tribute to the inimitable Vincent Price (of the 50's version of this story).
Great stuff follows with two plots unwinding simultaneously, the fake and the real "haunting". The images of the good "doctor" appearing in the camcorder and on the surveillance cameras was terrific. I wish the whole movie could have sustained the chills generated by the "just-glimpsed-then-gone" evil and the hackle-raising stare and smile of these apparitions. And, of course Geoffrey Rush's trip in the psychotic chamber is worth the price of admission alone.
Unfortunately, someone decided they could forego the sinister doctor and his minions and victims for a big CG finish that ISN'T scary and ISN'T creepy. And so the movie ends with a bang that is actually a whimper. Too bad, they were really on to something in the buildup prior to that. Could have been great.
But, the ending is only the ending, and the leadup to it has enough good stuff to make it worth a look.

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House on Haunted Hill (1999) Review

House on Haunted Hill  (1999)
Average Reviews:

(More customer reviews)
Released at almost the same time as the awful "The Haunting" I wasn't expecting much, but this movie delivers.
A terrifically creepy and nasty opening and the jolting modern day introduction set us up nicely. An able cast is brought to the haunted house where unspeakable things were done to mental patients who's revenge we witnessed at the outset. Geoffrey Rush is great, doing a nice oily tribute to the inimitable Vincent Price (of the 50's version of this story).
Great stuff follows with two plots unwinding simultaneously, the fake and the real "haunting". The images of the good "doctor" appearing in the camcorder and on the surveillance cameras was terrific. I wish the whole movie could have sustained the chills generated by the "just-glimpsed-then-gone" evil and the hackle-raising stare and smile of these apparitions. And, of course Geoffrey Rush's trip in the psychotic chamber is worth the price of admission alone.
Unfortunately, someone decided they could forego the sinister doctor and his minions and victims for a big CG finish that ISN'T scary and ISN'T creepy. And so the movie ends with a bang that is actually a whimper. Too bad, they were really on to something in the buildup prior to that. Could have been great.
But, the ending is only the ending, and the leadup to it has enough good stuff to make it worth a look.

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