Grand Canyon (1992) Review

Grand Canyon  (1992)
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Ten years ago when GRAND CANYON was released many people snickered at a movie so overblown with making the world (read Los Angeles) seem so seemingly cruel and unjust. Some of us found the movie poignant and apocalyptic, but I think the press barred the public from taking the movie seriously. Well, here we are ten years laater watching this well crafted movie, surrounded by even more cosmic madness than ever before. A lot of contemporary prophecy films such as this need to be more widely viewed if we as a culture, as a world, are to survive. Living in this tenuous time where most fingers are on triggers, whether they be personal guns or national weapons, private or public disasters, or just on the thin strings that contain sanity - now more than ever we can benefit from films such as this. Caring, finding solace in acts of kindness shared at times of direst need, and yes, even putting it all in perspective by returning to the natural positive phenomena such as the Grand Canyon seems like our only reliable way of making it. This Kasdan film has more fine performances (Kevin Klein, Mary McDonnell, Alfre Woodward, Danny Golover, Jeremy Sisto, etc etc etc) and drives relentlessly to a final ending of such beauty that even ten years later we can only say "Thank you " to Kasdan and crew.

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Grand Canyon (1992) Review

Grand Canyon (1992)
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Ten years ago when GRAND CANYON was released many people snickered at a movie so overblown with making the world (read Los Angeles) seem so seemingly cruel and unjust. Some of us found the movie poignant and apocalyptic, but I think the press barred the public from taking the movie seriously. Well, here we are ten years laater watching this well crafted movie, surrounded by even more cosmic madness than ever before. A lot of contemporary prophecy films such as this need to be more widely viewed if we as a culture, as a world, are to survive. Living in this tenuous time where most fingers are on triggers, whether they be personal guns or national weapons, private or public disasters, or just on the thin strings that contain sanity - now more than ever we can benefit from films such as this. Caring, finding solace in acts of kindness shared at times of direst need, and yes, even putting it all in perspective by returning to the natural positive phenomena such as the Grand Canyon seems like our only reliable way of making it. This Kasdan film has more fine performances (Kevin Klein, Mary McDonnell, Alfre Woodward, Danny Golover, Jeremy Sisto, etc etc etc) and drives relentlessly to a final ending of such beauty that even ten years later we can only say "Thank you " to Kasdan and crew.

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The Dangerous Lives Of Altar Boys (2002) Review

The Dangerous Lives Of Altar Boys (2002)
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I'm not Catholic nor a teen, but I found this movie very interesting and entertaining. The interaction between all the kids was pretty real and the dialog did not seem juvenile.
Although not normally a fan of animation, that portion worked OK in this movie because it was the outward expression of the kids' imagination.
Of the 7 primary actors, Jodie Foster had the weakest character as "nunzilla". Perhaps it was just the nature of the character. Vincent D'Onofrio was entertaining as the smoking, swearing priest (and apparently in the book he was a womanizer, too.) The 4 boys were all pretty good, but Jena Malone probably had the toughest role as the girl with a secret, and she was very good.
The whole cougar plot-point was a bit much, and the dog scene came from nowhere, but the rest was very satisfying.
The extras on the DVD were good, too.
P.S. Originally I could not get this DVD to play in "widescreen". Sony said it was a known encoding problem and to change the DVD player setup for TV to "normal letterbox" instead of "normal pan/scan". Worked like a charm.


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For Love of the Game (1999) Review

For Love of the Game (1999)
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Kevin Costner gives a very compelling performance as a baseball player at the end of his career. He is very realistic in the role and brings thought provoking issues to light. How do you decide to hang up your glove and leave a game that has been the most important thing in your life? It was great that he could personally do the pitching in this movie because it would have lost a lot of the realism and credibility if they had to use someone else.

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Pokemon 4: Movie (Spanish) (2002) Review

Pokemon 4: Movie (Spanish)  (2002)
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After a short, limited release in theaters last year, Pokemon 4Ever is finally coming to video courtesy of Miramax. And while it's not the vast improvement to the previous Warner Bros DVD releases we were hoping for, it is still a decent offering.
The story, basically, is that Ash and company come across a boy named Sam and a Celebi, who have traveled 40 years from the past. But before Celebi can bring Sam back to his own time, it is captured by the Iron Mask Marauder, who captures Celebi using a Dark Ball, and transforms it into a destructive monster. While the Marauder and Celebi destroy the forest, Ash and Sam must try and save Celebi. There are some surprisingly emotional scenes in the movie, especially towards the end as we find out the fate of Celebi and Sam's relationship with Ash.
The DVD offers trailers for this movie and the Japanese trailer for the fifth movie, as well as previews for other Miramax titles. Fans will be pleased to know that the Pikachu short has been restored for the DVD, and as usually, it's pretty funny and features plenty of cute Pokemon. It also a multi-angle animation progression feature, but the footage shown is very brief; each of the four segments clock in at barely under a few seconds, if that. One major complaint about this DVD is that despite the fact that this is the fourth Pokemon feature, it is still only presented on DVD in FULLSCREEN. There are many instances in the movie where a character is speaking, but you can't see him or her, since they are cropped off the screen. I'd hoped this unfortunate tradition was left behind with Warner Bros, but the curse follows the series to Miramax. Listen up, Miramax, we don't mind the black bars on the screen, we really don't. This problem is even worse when compared with the Warner releases, because the picture seems to be zoomed in a bit more and after repeated viewings, you actually begin to notice that the screen is constantly wobbling. A very poor transfer.
Another complaint, though not as major, is the commentary featuring the producers and the cast. While it's fun to finally hear what the actors really sound like, they don't really react to anything on-screen; it's more like a Q&A session. While it does answer some interesting questions, it would have been better off to leave it as a separate feature and keep a regular commentary with just the producers. The commentary track also only runs under an hour, so it cuts off with about 20 minutes of the movie left to go. Hopefully they won't do this with movie 5, since the commentaries are my favorites part of the Pokemon movies.
Otherwise, it's a solid film, and fans will be pleased that the movie sticks very close to the original Japanese script. It won't convert any Pokemon haters, but then again, nothing probably would.
Just please, Miramax, when you release movie 5 on DVD, please do so in widescreen.

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Pokémon 4: The Movie (2002) Review

Pokémon 4: The Movie (2002)
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After a short, limited release in theaters last year, Pokemon 4Ever is finally coming to video courtesy of Miramax. And while it's not the vast improvement to the previous Warner Bros DVD releases we were hoping for, it is still a decent offering.
The story, basically, is that Ash and company come across a boy named Sam and a Celebi, who have traveled 40 years from the past. But before Celebi can bring Sam back to his own time, it is captured by the Iron Mask Marauder, who captures Celebi using a Dark Ball, and transforms it into a destructive monster. While the Marauder and Celebi destroy the forest, Ash and Sam must try and save Celebi. There are some surprisingly emotional scenes in the movie, especially towards the end as we find out the fate of Celebi and Sam's relationship with Ash.
The DVD offers trailers for this movie and the Japanese trailer for the fifth movie, as well as previews for other Miramax titles. Fans will be pleased to know that the Pikachu short has been restored for the DVD, and as usually, it's pretty funny and features plenty of cute Pokemon. It also a multi-angle animation progression feature, but the footage shown is very brief; each of the four segments clock in at barely under a few seconds, if that. One major complaint about this DVD is that despite the fact that this is the fourth Pokemon feature, it is still only presented on DVD in FULLSCREEN. There are many instances in the movie where a character is speaking, but you can't see him or her, since they are cropped off the screen. I'd hoped this unfortunate tradition was left behind with Warner Bros, but the curse follows the series to Miramax. Listen up, Miramax, we don't mind the black bars on the screen, we really don't. This problem is even worse when compared with the Warner releases, because the picture seems to be zoomed in a bit more and after repeated viewings, you actually begin to notice that the screen is constantly wobbling. A very poor transfer.
Another complaint, though not as major, is the commentary featuring the producers and the cast. While it's fun to finally hear what the actors really sound like, they don't really react to anything on-screen; it's more like a Q&A session. While it does answer some interesting questions, it would have been better off to leave it as a separate feature and keep a regular commentary with just the producers. The commentary track also only runs under an hour, so it cuts off with about 20 minutes of the movie left to go. Hopefully they won't do this with movie 5, since the commentaries are my favorites part of the Pokemon movies.
Otherwise, it's a solid film, and fans will be pleased that the movie sticks very close to the original Japanese script. It won't convert any Pokemon haters, but then again, nothing probably would.
Just please, Miramax, when you release movie 5 on DVD, please do so in widescreen.

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Blues Brothers (1980) Review

Blues Brothers  (1980)
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What a let down! The promise of "never before seen footage" turns out to be the same "never before seen footage" from the last DVD. The bonus materials on this disc are a joke (and not in a funny "ha ha" way). The special "Introduction to the film by Dan Aykroyd" is 23 seconds long. The "Day on the Blues Brothers Tour" is nothing more than a lame performance by the current Blues Brothers at the House of Blues. But the real insult is the featurette called "Remembering John: An ultimate portrait of John Belushi." It clocks in at 9 minutes long (including credits). Ultimate?? This is John Belushi, not Garrett Morris!
You might be reading this wondering, "So what was this guy expecting?" Well, how about an audio commentary? Perhaps some outtakes? Bloopers? Maybe concert footage of the REAL Blues Brothers on tour with Steve Martin? Why not include Blues Brothers performance footage from SNL? How about revisiting the locations made famous in the movie (the abandoned mall is still standing and still abandoned)? Instead, they chose to include John performing as the Killer Bee on SNL. Instead of a track listing booklet inside the case, they'd rather you have an ad for other "great" DVD titles available from Universal. Instead of never before seen footage, you get the same documentary, the same production notes/pictures, and the same interviews that were included in the previous release.
It's obvious that this was thrown together with little thought or effort. The Chicago Sun Times did a better tribute piece to the anniversary of the Blues Brothers than Aykroyd did for his own film.
Oh well...only five more years until the 30th Anniversary Edition comes out.

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Out of Sight (1998) Review

Out of Sight  (1998)
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George Clooney stars with Jennifer Lopez in this excellent and entertaining romantic heist movie, unfortunately much overlooked and poorly promoted on its theatrical release. Based on the novel by Elmore Leonard and superbly and subtly directed by Steven Soderbergh. George Clooney (as bank robber Jack Foley) and Jennifer Lopez (as Federal Marshall Karen Sisco) light up the screen with previously unparalleled sexual chemistry in the movie that finally launched their big screen careers to the A list, after previous false starts (such as The Peacemaker and The Money Train respectively). Also boasting a very impressive supporting cast that includes Ving Rhames, Don Cheadle, Steve Zahn, Albert Brooks, Dennis Farina (as Jennifer Lopez father) and great cameos from Michael Keaton and Samuel L. Jackson, movies really don't get much better than this.
Principally this is the story of serial bank robber Jack Foley and Federal Marshall Karen Sisco, on opposite sides of the law but inescapably attracted to each other. When Jack escapes from prison aided by his friend Buddy (Rhames) he ends up in the trunk of a car with the kidnapped Karen Sisco (Lopez) after she nearly foils the prison break. However, thanks to their inept friend Glenn Michaels (Zahn), Karen escapes and Jack and Buddy have to go on the run. Meanwhile, Karen Sisco is hot on Jack's trail in more ways than one in this brilliantly played, beautifully written, excellently directed movie. This has everything I love about movies, a great story, great cast and great style. Truly unmissable and well worthy of five stars.

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Out of Sight (1998) Review

Out of Sight  (1998)
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George Clooney stars with Jennifer Lopez in this excellent and entertaining romantic heist movie, unfortunately much overlooked and poorly promoted on its theatrical release. Based on the novel by Elmore Leonard and superbly and subtly directed by Steven Soderbergh. George Clooney (as bank robber Jack Foley) and Jennifer Lopez (as Federal Marshall Karen Sisco) light up the screen with previously unparalleled sexual chemistry in the movie that finally launched their big screen careers to the A list, after previous false starts (such as The Peacemaker and The Money Train respectively). Also boasting a very impressive supporting cast that includes Ving Rhames, Don Cheadle, Steve Zahn, Albert Brooks, Dennis Farina (as Jennifer Lopez father) and great cameos from Michael Keaton and Samuel L. Jackson, movies really don't get much better than this.
Principally this is the story of serial bank robber Jack Foley and Federal Marshall Karen Sisco, on opposite sides of the law but inescapably attracted to each other. When Jack escapes from prison aided by his friend Buddy (Rhames) he ends up in the trunk of a car with the kidnapped Karen Sisco (Lopez) after she nearly foils the prison break. However, thanks to their inept friend Glenn Michaels (Zahn), Karen escapes and Jack and Buddy have to go on the run. Meanwhile, Karen Sisco is hot on Jack's trail in more ways than one in this brilliantly played, beautifully written, excellently directed movie. This has everything I love about movies, a great story, great cast and great style. Truly unmissable and well worthy of five stars.

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Stepmom (Spanish) (1998) Review

Stepmom (Spanish)  (1998)
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I always have and always will consider this a very meaningful and worthwhile movie. Julia Roberts and Susan Sarandon were outstanding choices for the lead roles because they truly knew how to fit the types of characters they were playing. Susan Sarandon is Jackie Harrison, a highly devoted mother who is an outstanding example of a woman who loves and places her children above herself. Her ex-husband Luke (Ed Harris) finds a new love, Isabel (Julia Roberts). The whole situation is difficult for Jackie and both of her young children, especially her 12-year-old daughter Anna, who resents Isabel. When Susan is diagnosed with fatal cancer, it becomes absolutely necessary for the two kids to learn to accept Isabel. Many, many hardships and challenges rise between Susan and Isabel before they are finally able to put aside their differences, become friends, and figure out how to handle the future of their family--a future that they can no longer deny. I especially liked this movie because it deals with such serious and complex issues that many of us can at least appreciate if we have not experienced it ourselves. You really feel the tone of the issue through Anna, Susan's oldest child. She is such a horrible brat, you want to kick her, but then you soften when you realize that she is just scared and upset because she loves both of her parents, and it is hard for her to get through all of the changes. Any of us can understand or even relate to that. Although I enjoyed most aspects of this movie, I really loved the way Susan taught her children not to be afraid of her death, especially her very young son. There's no greater way to show your love for your child than by putting on a brave face during the scariest moment of your life in order to spare them the fear that you feel yourself. It truly is touching the way Susan loves her kids so selflessly in this movie. It's very deep, very moving, and worth the money to buy. I hope this review was helpful.

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Stepmom (1998) Review

Stepmom  (1998)
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I always have and always will consider this a very meaningful and worthwhile movie. Julia Roberts and Susan Sarandon were outstanding choices for the lead roles because they truly knew how to fit the types of characters they were playing. Susan Sarandon is Jackie Harrison, a highly devoted mother who is an outstanding example of a woman who loves and places her children above herself. Her ex-husband Luke (Ed Harris) finds a new love, Isabel (Julia Roberts). The whole situation is difficult for Jackie and both of her young children, especially her 12-year-old daughter Anna, who resents Isabel. When Susan is diagnosed with fatal cancer, it becomes absolutely necessary for the two kids to learn to accept Isabel. Many, many hardships and challenges rise between Susan and Isabel before they are finally able to put aside their differences, become friends, and figure out how to handle the future of their family--a future that they can no longer deny. I especially liked this movie because it deals with such serious and complex issues that many of us can at least appreciate if we have not experienced it ourselves. You really feel the tone of the issue through Anna, Susan's oldest child. She is such a horrible brat, you want to kick her, but then you soften when you realize that she is just scared and upset because she loves both of her parents, and it is hard for her to get through all of the changes. Any of us can understand or even relate to that. Although I enjoyed most aspects of this movie, I really loved the way Susan taught her children not to be afraid of her death, especially her very young son. There's no greater way to show your love for your child than by putting on a brave face during the scariest moment of your life in order to spare them the fear that you feel yourself. It truly is touching the way Susan loves her kids so selflessly in this movie. It's very deep, very moving, and worth the money to buy. I hope this review was helpful.

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Dead of Winter (1987) Review

Dead of Winter  (1987)
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I shouldn't like "Dead of Winter" as much as I do. It has some faults, a few of them glaring. But, however many faults the movie has, it still grips me, and evokes the fear and suspense necessary for it to qualify as a taut thriller. You have a claustrophobic setting, disturbing older men, a woman in distress, and murder. These ingredients come together to make for a very interesting hour and a half. At the very least, I found myself entertained.
The film starts out with the murder of a woman in an abandoned parking lot on a snowy winter's night. Next we are in New York City, where we are exposed to the struggling actor's life of Katie McGovern (Mary Steenburgen). She is just looking for that one good role (with good pay, of course). After she does well at an audition, the man hosting it, Mr. Murray (Roddy McDowall), invites her upstate to an isolated country house, in order to do some test screening. Katie agrees. She tells her boyfriend she will call him once there, and is off. Once Katie arrives at the house, she is introduced to the man in charge, Dr. Joseph Lewis (sinisterly portrayed by Jan Rubes). Uneasy things begin to occur (the phones lines go dead, and the car won't start), and soon Katie's world turns upside down as the two older men begin to unveil their frightening plan upon the unsuspecting actress.
There are things to knock about "Dead of Winter". Many of them involve aspects of what film critic Roger Ebert has termed "The Idiot Plot". This is where characters are in certain situations that go on for far too long because, instead of doing the sensible thing, they act with fairly bad judgement, thus enabling the movie to exist and continue on. A few examples: Why go hours upstate to an isolated house for a screen test? Why believe that an old *doctor* is in charge of casting a movie? Why, when you see that the two men whose house you are in have thrown your driver's license in the fireplace, do you act casually, as though nothing is wrong? I won't go on, as I don't want to give away too much of the film. Suffice it to say, you will need to suspend some disbelief, and just go with the flow.
There are many good elements about "Dead of Winter". The direction by Arthur Penn is steady, and moves along at a good pace. The casting is great. Mary Steenburgen, Roddy McDowall, and Jan Rubes are all perfect in their roles. The setting is superb - an old, wood interior, victorian style house in the middle of the countryside. A fierce blizzard snowing-in the hapless actress. All of the elements come together very well.
Some night, when the wind is howling outside, the snow drifts are accumulating around your house, and you're feeling just a wee bit isolated, decide on a good night of suspense, and watch this movie. Watch it, in the "Dead of Winter".

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Academy Award(r) winner* Mary Steenburgen and Roddy McDowall star in a pulse-pounding thriller in the tradition of the legendary master of suspense, Alfred Hitchcock. "You'll find yourself on the edge of your seat" (Los Angeles) with this bone-chilling tale of deception, blackmail and murder in which no one is who they seem to be and any mistake could be your last. When actress Katie McGovern (Steenburgen) is summoned to an isolated estate for a screen test, she finds that her mysterious hosts, Mr. Murray (McDowall) and Dr. Joseph Lewis (Jan Rubes), have plans for her'that have nothing to do with acting! And when the deadly money-making scheme erupts in a firestorm of double-crosses and cold-blooded murder, Katie realizes she has only one chance at survival: She must turn the tables on her enemies by giving the performance of her life!*1980: SupportingActress, Melvin and Howard

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Basic Instinct (1992) Review

Basic Instinct  (1992)
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Basic Instinct is certainly a film that has not only aged well with time, it makes you wish they could still make a sexy erotic thriller this good today. With so much political correctness going on these days, a film like Basic Instinct would never be made quite the same way, had it been made today. Attacked while it was being filmed for it's quote "negative depictions of the Gay community" as well as a so called "date rape" scene, the film became controversial practically the day it became green lit.
Sharon Stone became an overnight sensation portraying the rich, seductive & powerful Catherine Tramell, a role that seemed tailor made for the actress. But in fact director Paul Verhoeven (Robocop, Starship Troopers) had to fight hard to prove to both Carolco Pictures and actor Michael Douglas that she was in fact the only person suited for the role. Having worked with Stone on his last picture, Total Recall (1990), Verhoeven knew that Stone had something special to give to the part and he finally got that message through to all those mentioned. I'd go so far to say that with the exception of her Oscar nominated performance in Martin Scorsese's Casino, Catherine Tramell is still Sharon Stone's best performance.
So what's the big deal between the R-rated & Unrated versions of Basic Instinct? Basically a little more violence and a little more sex. There's more stabs with the ice pick in the Unrated version (about 3 or 4), more shots of the victim actually being stabbed (courtesy of a man made puppet designed by Rob Bottin) and that's about it for the violence. The added sex has mainly to do with the first encounter between Michael Douglas's Nick Curran, and Sharon Stone's Catherine Tramell. The added scenes are hot & very well done, but overall, the result is still the same. The only other difference is the Unrated version includes an audio commentary with director Paul Verhoeven and director of photography Jan De Bont. This commentary is not available on the R-rated version. But both versions do include the 2nd commentary by Feminist critic, Camille Paglia, who praises the film as one of her all time favorite movies. Her commentary is quite informative and really gave me a lot of insight into the film that I never noticed before. Those of you who own the Special Edition Laserdisc that came out a few years back should be urged not to get rid of it. It's special features are quite different from those on these DVD versions. Even the Paul Verhoevan Commentary is different from the one on the DVD. Plus the DVD doesn't give you the option of viewing the final shot of the film with the alternate scoring conducted by Jerry Goldmith, although it is shown during the making of documentary. Still worth keeping.
I personally love how much the movie feels like an Alfred Hitchcock film. The dress Sharon wheres for the interrogation scene is very similar to the one Kim Novak wore in Vertigo. There are many references to Vertigo in the film, as well as The Birds, North By Northwest, Rear Window and a few others. This adds a lot of class to the picture that only enhances its creativeness. It may be a long time before another picture comes close to matching it.
Basic Instinct..destined to become a classic!
"I hate rugrats". - Sharon Stone as Catherine Tramell

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The Blues Brothers (Widescreen Edition) (1980) Review

The Blues Brothers (Widescreen Edition)  (1980)
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What a let down! The promise of "never before seen footage" turns out to be the same "never before seen footage" from the last DVD. The bonus materials on this disc are a joke (and not in a funny "ha ha" way). The special "Introduction to the film by Dan Aykroyd" is 23 seconds long. The "Day on the Blues Brothers Tour" is nothing more than a lame performance by the current Blues Brothers at the House of Blues. But the real insult is the featurette called "Remembering John: An ultimate portrait of John Belushi." It clocks in at 9 minutes long (including credits). Ultimate?? This is John Belushi, not Garrett Morris!
You might be reading this wondering, "So what was this guy expecting?" Well, how about an audio commentary? Perhaps some outtakes? Bloopers? Maybe concert footage of the REAL Blues Brothers on tour with Steve Martin? Why not include Blues Brothers performance footage from SNL? How about revisiting the locations made famous in the movie (the abandoned mall is still standing and still abandoned)? Instead, they chose to include John performing as the Killer Bee on SNL. Instead of a track listing booklet inside the case, they'd rather you have an ad for other "great" DVD titles available from Universal. Instead of never before seen footage, you get the same documentary, the same production notes/pictures, and the same interviews that were included in the previous release.
It's obvious that this was thrown together with little thought or effort. The Chicago Sun Times did a better tribute piece to the anniversary of the Blues Brothers than Aykroyd did for his own film.
Oh well...only five more years until the 30th Anniversary Edition comes out.

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Stepmom (1998) Review

Stepmom  (1998)
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I always have and always will consider this a very meaningful and worthwhile movie. Julia Roberts and Susan Sarandon were outstanding choices for the lead roles because they truly knew how to fit the types of characters they were playing. Susan Sarandon is Jackie Harrison, a highly devoted mother who is an outstanding example of a woman who loves and places her children above herself. Her ex-husband Luke (Ed Harris) finds a new love, Isabel (Julia Roberts). The whole situation is difficult for Jackie and both of her young children, especially her 12-year-old daughter Anna, who resents Isabel. When Susan is diagnosed with fatal cancer, it becomes absolutely necessary for the two kids to learn to accept Isabel. Many, many hardships and challenges rise between Susan and Isabel before they are finally able to put aside their differences, become friends, and figure out how to handle the future of their family--a future that they can no longer deny. I especially liked this movie because it deals with such serious and complex issues that many of us can at least appreciate if we have not experienced it ourselves. You really feel the tone of the issue through Anna, Susan's oldest child. She is such a horrible brat, you want to kick her, but then you soften when you realize that she is just scared and upset because she loves both of her parents, and it is hard for her to get through all of the changes. Any of us can understand or even relate to that. Although I enjoyed most aspects of this movie, I really loved the way Susan taught her children not to be afraid of her death, especially her very young son. There's no greater way to show your love for your child than by putting on a brave face during the scariest moment of your life in order to spare them the fear that you feel yourself. It truly is touching the way Susan loves her kids so selflessly in this movie. It's very deep, very moving, and worth the money to buy. I hope this review was helpful.

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Jail Bait (1954) Review

Jail Bait  (1954)
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Jail Bait, shot by Wood in between Glen or Glenda and Bride of the Monster, is perhaps the least-known and -loved of his 1950s features, probably because it's more competently produced and slower paced than his more notorious films. The misleading title (referring to a handgun, not an underage girl) may lead to disappointment for the first-time viewer expecting sleazier fare. And Jail Bait just doesn't exhibit the unbridled lunacy and delirious verve of Plan 9 and Glen or Glenda, although there's plenty of Ed's mind-numbing, circular dialogue and a handful of ludicrous plot points for the seasoned Woodophile to savor. The cast features Hollywood veterans Lyle Talbot and Herbert Rawlinson (who died of lung cancer during production), Wood's then-girlfriend Dolores Fuller (later composer of a number of Elvis tunes), newcomer Steve (Hercules) Reeves, perennial sleazemeister Timothy Farrell (Gun Girls, Devil's Sleep, Girl Gang, Racket Girls), Vogue model (and Jack Paar's sexy weathergirl) Theodora Thurman, and apparent nonactor 'Clancy Malone' (actually Scott McCloud, Glen or Glenda's unit director). It's fun to track the conflicting acting styles (and competencies): former silent star Rawlinson (as Dr. Gregor) out-acts the bunch; Fuller is stiff as a board; Farrell and Thurman chew the scenery voraciously; Steve Reeves personifies the 'dumb hunk' (watch him attempt to run lines with Talbot while putting on a coat and tie); and Malone just tries to act his way out of a paper bag. The plot is essentially the story of a jerk (Farrell) and an idiot (Malone) who go on the lam after shooting a cop while robbing a beauty parlor (!?). Logical lapses abound (e.g. Malone's father hides him from the cops, then lets him go if he promises to turn himself in later; Farrell's moll [Thurman] is hopelessly loyal even though he constantly treats her like dirt). It all finishes with a hilarious "twist" ending involving plastic surgery. Bad Film fanatics will love to cringe at the irritating piano-and-guitar score (recycled from Mesa of Lost Women) by Hoyt Curtin (who wrote the Jetsons theme and scored all the major Hanna-Barbera cartoon series) and the embarrassing minstrel show sequence, which in true Woodian fashion is inserted into the movie for no apparent reason whatsoever. While Jail Bait never reaches the dizzying heights/depths of Wood's more famous films, there's enough chaff to be found amongst the wheat to satisfy trash film junkies with the patience to dig a little.
Image's DVD, part of their Wade Williams Collection, is as fine a presentation of the movie as you're likely to see. Although there is some light speckling and blemishing (mostly around reel changes), the source print exhibits overall excellent brightness, contrast, and shadow/highlight detail. The picture is very crisp, at times revealing some fine grain in the source material. The Dolby 1.0 sound is clear, although the level seems a bit soft. Eleven chapter stops and a slightly washed out Jail Bait trailer (also suffering from some speckling, blemishing, and vertical scratching) are included. A minimal but very fine package; perhaps a bit pricey for some considering the few extras, but nonetheless essential viewing for serious aficionados of Ed Wood or cheap, trashy movies in general.

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Donnie Darko (2001) Review

Donnie Darko  (2001)
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First I would like to say that this review is more targeted at the Blu-Ray transfer of this movie. When I first found out this movie was available on Blu-Ray I had to have it since it's one of my favorite movies. I already owned the DVD, and was happy with the quality of the video on my up-converting DVD player. I figured the Blu-Ray would have to look better since it advertised as HD 1080p. Unfortunately that was not the case; in fact the DVD looks better up-converted than the Blu-Ray does. How does that happen? It appears the studio did very little to prepare this film for Blu-Ray. If anything they made it worse by trying to doctor it up rather than spend the money to re-master it properly. The movie has a lot of dark scenes which are almost all grainy and not very detailed. The light scenes are not as noticeable but you can still see it unless you're sitting a good distance from your TV. I guess the point I'm trying to make would be to hang on to your DVD until they fix the Blu-Ray transfer. At the new price it's worth buying if you don't already have the DVD, but don't "up grade" to this from your DVD.

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