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(More customer reviews)Jail Bait, shot by Wood in between Glen or Glenda and Bride of the Monster, is perhaps the least-known and -loved of his 1950s features, probably because it's more competently produced and slower paced than his more notorious films. The misleading title (referring to a handgun, not an underage girl) may lead to disappointment for the first-time viewer expecting sleazier fare. And Jail Bait just doesn't exhibit the unbridled lunacy and delirious verve of Plan 9 and Glen or Glenda, although there's plenty of Ed's mind-numbing, circular dialogue and a handful of ludicrous plot points for the seasoned Woodophile to savor. The cast features Hollywood veterans Lyle Talbot and Herbert Rawlinson (who died of lung cancer during production), Wood's then-girlfriend Dolores Fuller (later composer of a number of Elvis tunes), newcomer Steve (Hercules) Reeves, perennial sleazemeister Timothy Farrell (Gun Girls, Devil's Sleep, Girl Gang, Racket Girls), Vogue model (and Jack Paar's sexy weathergirl) Theodora Thurman, and apparent nonactor 'Clancy Malone' (actually Scott McCloud, Glen or Glenda's unit director). It's fun to track the conflicting acting styles (and competencies): former silent star Rawlinson (as Dr. Gregor) out-acts the bunch; Fuller is stiff as a board; Farrell and Thurman chew the scenery voraciously; Steve Reeves personifies the 'dumb hunk' (watch him attempt to run lines with Talbot while putting on a coat and tie); and Malone just tries to act his way out of a paper bag. The plot is essentially the story of a jerk (Farrell) and an idiot (Malone) who go on the lam after shooting a cop while robbing a beauty parlor (!?). Logical lapses abound (e.g. Malone's father hides him from the cops, then lets him go if he promises to turn himself in later; Farrell's moll [Thurman] is hopelessly loyal even though he constantly treats her like dirt). It all finishes with a hilarious "twist" ending involving plastic surgery. Bad Film fanatics will love to cringe at the irritating piano-and-guitar score (recycled from Mesa of Lost Women) by Hoyt Curtin (who wrote the Jetsons theme and scored all the major Hanna-Barbera cartoon series) and the embarrassing minstrel show sequence, which in true Woodian fashion is inserted into the movie for no apparent reason whatsoever. While Jail Bait never reaches the dizzying heights/depths of Wood's more famous films, there's enough chaff to be found amongst the wheat to satisfy trash film junkies with the patience to dig a little.
Image's DVD, part of their Wade Williams Collection, is as fine a presentation of the movie as you're likely to see. Although there is some light speckling and blemishing (mostly around reel changes), the source print exhibits overall excellent brightness, contrast, and shadow/highlight detail. The picture is very crisp, at times revealing some fine grain in the source material. The Dolby 1.0 sound is clear, although the level seems a bit soft. Eleven chapter stops and a slightly washed out Jail Bait trailer (also suffering from some speckling, blemishing, and vertical scratching) are included. A minimal but very fine package; perhaps a bit pricey for some considering the few extras, but nonetheless essential viewing for serious aficionados of Ed Wood or cheap, trashy movies in general.
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